"The Monkey Speaks His Mind" by Barry Adamson had its release date on June 23, 1998. This song is about six minutes long, preciously at 5:31, making this song fairly long compared to other songs. The song is number 8 out of 10 in As Above, So Below by Barry Adamson. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, The Monkey Speaks His Mind's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of The Monkey Speaks His Mind by Barry Adamson is Allegro (fast, quick, and bright), since this song has a tempo of 128 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
B Minor is the music key of this track. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Father On The Stairs | Stewart Copeland | A Major | 2 | 11B | 96 BPM | ||
| Soul Killer | William S. Burroughs / Bill Laswell | B Minor | 8 | 10A | 128 BPM | ||
| Nights Introlude | Nightmares On Wax | G Major | 7 | 9B | 94 BPM | ||
| Who Can You Trust? | Morcheeba | G Minor | 2 | 6A | 120 BPM | ||
| Be There | UNKLE, Ian Brown | B Major | 9 | 1B | 105 BPM | ||
| Daydreaming - 2012 Mix/Master | Massive Attack, Shara Nelson, Tricky | G Major | 5 | 9B | 98 BPM | ||
| Upright Man | Bill Laswell | A Major | 5 | 11B | 100 BPM | ||
| Last Train | Primal Scream | B♭ Minor | 5 | 3A | 97 BPM | ||
| Karmacoma - Bumper Ball Dub | Massive Attack, Mad Professor | D♭ Minor | 7 | 12A | 141 BPM | ||
| El Cid | Leftfield | D Minor | 2 | 7A | 70 BPM | ||
| Go Get Some | David Lynch | D Major | 4 | 10B | 118 BPM | ||
| Bridge | Amon Tobin | F Minor | 8 | 4A | 100 BPM | ||
| Dub Deep Inside | Toshinori Kondo | G Major | 4 | 9B | 90 BPM | ||
| What Do You Know About Music, You're Not A Lawyer | John Lurie | B♭ Major | 2 | 6B | 129 BPM | ||
| Fuck Dub Pt 1 & 2 | Tosca | D♭ Minor | 6 | 12A | 79 BPM | ||
| Keep On Believing - mixed | Beanfield | E Minor | 5 | 9A | 103 BPM | ||
| Can't Get Loose | Barry Adamson | A Major | 8 | 11B | 167 BPM | ||
| Come Take My Hand | Ann Margaret Hogan, Barry Adamson | A Minor | 9 | 8A | 127 BPM | ||
| Seven | DJ Cam | F♯ Major | 4 | 2B | 134 BPM | ||
| How to Operate With a Blown Mind | Lo Fidelity Allstars | D♭ Major | 7 | 3B | 82 BPM | ||
| Believe | GusGus | D Major | 8 | 10B | 114 BPM | ||
| Good Day Today | David Lynch | A Minor | 6 | 8A | 136 BPM | ||
| Cascade (Part 1) | The Future Sound Of London | A♭ Minor | 6 | 1A | 129 BPM | ||
| Moving Dub (Better Things) | Massive Attack, Mad Professor | A Minor | 5 | 8A | 84 BPM | ||
| Kosmos - Lynch Mob Bonus Beats Full Version / Lynchmob Beats Mix | Paul Weller, Brendan Lynch | C Major | 7 | 8B | 164 BPM |