"VII. Grand jeu" by Guillaume-Gabriel Nivers, Daniel Roth had its release date on April 14, 2001. With This song being less than two minutes long, at 1:12, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Daniel Roth's "Great European Organs, Vol. 64: Saint-Sulpice, Paris" album is number 7 out of 21. On top of that, United Kingdom appears to be the country where this track was created. VII. Grand jeu is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of VII. Grand jeu by Guillaume-Gabriel Nivers, Daniel Roth to be Andante (at a walking pace) because the track has a tempo of 78 BPM, a half-time of 39BPM, and a double-time of 156 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Prex eucharistica I (Canon Romanus) | Anonymous, Cistercian Monks of Stift Heiligenkreuz | F♯ Minor | 1 | 11A | 138 BPM | ||
| Prélude (Suite) du 2e ton, Motet: O bone Jesu (orgue J. Boizard à Saint-Michel-en-Thiérache) | Guillaume-Gabriel Nivers, Kei Koito, Ensemble Gilles Binchois, Dominique Vellard | B♭ Major | 1 | 6B | 80 BPM | ||
| The Service of the Furnace: IV. Conclusion of the First Canticle | Xenos Korones, Cappella Romana, Alexander Lingas | F Major | 2 | 7B | 64 BPM | ||
| Officium defunctorum: Domine quando veneris | Guillaume-Gabriel Nivers, Studio 600, Aldona Czechak, Dorota Kozinska, Dorota Szwarcman, Joanna Walma, Aleksandra Zdunska | D Minor | 0 | 7A | 84 BPM | ||
| Sanctum Numen | Gregorian Chanting Monks, The Chanting Monk | E Minor | 2 | 9A | 119 BPM | ||
| Nivers: Pange lingua gloriosi | Guillaume-Gabriel Nivers, Jean Rondeau, Lucile Richardot | D♭ Major | 1 | 3B | 85 BPM | ||
| 3 Six-Part Choirs, Op.39: II. Abendlied | Max Reger, The Rodolfus Choir, Ralph Allwood, Ben Parry | E Minor | 2 | 9A | 119 BPM | ||
| Vox Aeterna | St. Tikhon's Seminary Choir, Χορός Βατοπαιδινών Πατέρων | E Minor | 2 | 9A | 119 BPM | ||
| Quemadmodum | John Taverner, Owen Rees, Contrapunctus | C Minor | 1 | 5A | 76 BPM | ||
| Pater noster | Ars Poliphonica | E Minor | 0 | 9A | 89 BPM | ||
| O King of the Nations (O Rex Gentium - 22 December) | David Ogden, St Martin's Voices, Andrew Earis | B Minor | 1 | 10A | 97 BPM | ||
| Couperin, L: Suite en fa: III. Courante, G. 69 (Transcr. Pierlot) | Louis Couperin, Philippe Pierlot, Anna Lachegyi, Lucile Boulanger, Myriam Rignol, Thibaut Roussel | E♭ Major | 2 | 5B | 135 BPM | ||
| Psalm 112 | Peter Stevens, Simon Johnson, Westminster Cathedral Choir | A Minor | 2 | 8A | 79 BPM | ||
| Tempus Fidelitatis Plena | Monges Beneditinos, The Benedictine Monks of Worth Abbey | D Minor | 0 | 7A | 129 BPM | ||
| Benedictus Es | The Sacred Choir | E Minor | 0 | 9A | 74 BPM | ||
| Cantus Redemptionis Beatissimae | Choir Of St. Abuscus, Chants of Eternity | B Minor | 1 | 10A | 128 BPM | ||
| Jam conclamamus | Henryk Górecki, Jan Łukaszewski, Polish Chamber Choir | B♭ Major | 3 | 6B | 97 BPM | ||
| Missa pro Quadragesima, MH 551: Credo | Michael Haydn, Purcell Choir, Orfeo Orchestra, Gyorgy Vashegyi | B Major | 1 | 1B | 93 BPM | ||
| Tranquil Watch of Angels | Wonderworker, The Choir of Eparchy of Tripoli | E Minor | 1 | 9A | 124 BPM | ||
| Mass in E-Flat Major, Op. 109, "Cantus Missae": I. Kyrie | Josef Rheinberger, Charles Bruffy, Phoenix Bach Choir, Kansas City Chorale | E♭ Major | 1 | 5B | 130 BPM | ||
| O mors, ero mors tua | Guillaume Bouzignac, Ensemble les Surprises, Louis-Noël Bestion de Camboulas | E♭ Major | 2 | 5B | 65 BPM | ||
| Missa pro Quadragesima, MH 551: Kyrie | Michael Haydn, Purcell Choir, Orfeo Orchestra, Gyorgy Vashegyi | B Major | 1 | 1B | 167 BPM | ||
| The Cherubic Hymn | Alexander Pierce Hill, Apollo5 | E Minor | 2 | 9A | 119 BPM | ||
| Missa Corpis Domini, ZWV 3: Et incarnatus est | Jan Dismas Zelenka, Collegium 1704, Collegium Vocale 1704, Václav Luks | E Minor | 2 | 9A | 119 BPM | ||
| Missa l'homme armé sexti toni: V. Agnus Dei | Josquin des Prez, A Sei Voci, Bernard Fabre-Garrus, Maîtrise des Pays de Loire | F Major | 1 | 7B | 73 BPM |