Satellite's 'Where Hell Collides' had a release date set for May 6, 2021. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Satellite's "Music" album is number 11 out of 11. Based on our statistics, Where Hell Collides's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Where Hell Collides by Satellite to be Allegro (fast, quick, and bright) because the track has a tempo of 125 BPM, a half-time of 62BPM, and a double-time of 250 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Thank You Jesty | Ferterami | D♭ Major | 6 | 3B | 110 BPM | ||
| Nearly Morning | Luke Sital-Singh | C Major | 3 | 8B | 132 BPM | ||
| A Thousand Miles | Satellite | F♯ Minor | 6 | 11A | 105 BPM | ||
| Hell On The Throat | Dashboard Confessional | B Major | 5 | 1B | 90 BPM | ||
| Carry Me | Justine Bennett | D Major | 4 | 10B | 131 BPM | ||
| Lose Control | Barcelona | B♭ Major | 5 | 6B | 77 BPM | ||
| Twenty Years | Augustana | E♭ Major | 4 | 5B | 133 BPM | ||
| We'll Make It Someday | Vocal Few | E♭ Major | 5 | 5B | 111 BPM | ||
| The Daylight | Andrew Belle | D♭ Major | 6 | 3B | 120 BPM | ||
| The Takers | Barcelona | D♭ Minor | 7 | 12A | 77 BPM | ||
| Restless | Switchfoot | B Major | 7 | 1B | 162 BPM | ||
| My Eyes Are Still Bright | Scars On 45 | C Major | 2 | 8B | 133 BPM | ||
| Proving My Love | Obi Ferguson | F Major | 1 | 7B | 172 BPM | ||
| Take It All In | Trent Dabbs | C Major | 3 | 8B | 75 BPM | ||
| Burn the House Down | Scars On 45 | A♭ Minor | 6 | 1A | 76 BPM | ||
| Lost Machines | Sleeperstar | E Major | 10 | 12B | 142 BPM | ||
| Let Loose The Horses | The Rescues | A Minor | 6 | 8A | 130 BPM | ||
| Not Sure | Fiction Family | F Major | 3 | 7B | 134 BPM | ||
| Turning On My Own | Satellite | C Major | 7 | 8B | 96 BPM | ||
| Golden | Scars On 45 | C Major | 2 | 8B | 133 BPM | ||
| Ghosts in the Waiting Room | SANTI MATI | F♯ Major | 3 | 2B | 126 BPM | ||
| Where We Started | Dinner and a Suit | D♭ Major | 6 | 3B | 158 BPM | ||
| Beautiful Words | The Afters | B Major | 7 | 1B | 91 BPM | ||
| Kick The Can | Cary Brothers | E Major | 3 | 12B | 145 BPM | ||
| Only a Game | Scars On 45 | C Major | 2 | 8B | 133 BPM |