Howe Gelb, A Band Of Gypsies's ' "(There Were) Always Horses Coming" was released on its scheduled release date, July 10, 2012. The duration of This song is about 3 minutes long, at 3:01. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 9 out of 13 in Alegrías by Howe Gelb, A Band Of Gypsies. Going off of the ISRC code of this track, we detected that the origin of this track is from Spain. Based on our statistics, (There Were) Always Horses Coming's popularity is not that popular right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
The tempo marking of (There Were) Always Horses Coming by Howe Gelb, A Band Of Gypsies is Allegro (fast, quick, and bright), since this song has a tempo of 133 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Say My Name | Marc Ribot | C Major | 3 | 8B | 96 BPM | ||
| Combing My Hair In a Brand New Style | Jim White | F Major | 8 | 7B | 148 BPM | ||
| Down on the Lower East Side | Justin Townes Earle | E Minor | 3 | 9A | 92 BPM | ||
| She Don't Have to Be Good to Me | Stuart A. Staples | D Major | 5 | 10B | 148 BPM | ||
| Strange Form of Life | Dawn McCarthy, Bonnie Billy | E Minor | 0 | 9A | 171 BPM | ||
| Primitives | T Bone Burnett | D Minor | 4 | 7A | 133 BPM | ||
| Untitled #1 | Spain | B♭ Minor | 4 | 3A | 81 BPM | ||
| Without a Word | Giant Sand | B♭ Minor | 8 | 3A | 151 BPM | ||
| Beyond Redemption | Dez Mona | D Minor | 2 | 7A | 135 BPM | ||
| Who Will Follow Angelinia? | Philippe Cohen Solal, Mike Lindsay, Hannah Peel, Adam Glover | C Major | 5 | 8B | 130 BPM | ||
| Red Dog Tracks | Chip Taylor, Carrie Rodriguez | A Major | 3 | 11B | 141 BPM | ||
| Wind Blown Waltz | Giant Sand | C Major | 3 | 8B | 140 BPM | ||
| Crazy Love | Marianne Faithfull, Nick Cave | A♭ Major | 4 | 4B | 101 BPM | ||
| The Dream | Raoul Vignal | F♯ Minor | 4 | 11A | 154 BPM | ||
| Increment of Love | Giant Sand | E Major | 6 | 12B | 130 BPM | ||
| Cowboy Boots on Cobble Stone | Howe Gelb, A Band Of Gypsies | D Major | 2 | 10B | 133 BPM | ||
| Sweet Pretender | The Colorist Orchestra, Howe Gelb, Pieta Brown | E Major | 5 | 12B | 139 BPM | ||
| If You Leave and If You Marry | Kevin Morby | C Major | 2 | 8B | 113 BPM | ||
| Stranded Pearl | Giant Sand | D♭ Major | 5 | 3B | 95 BPM | ||
| The Man I Keep Hid - Remastered | Joe Henry | E Minor | 3 | 9A | 98 BPM | ||
| Irresponsible Lovers | Howe Gelb | A Minor | 1 | 8A | 117 BPM | ||
| Supernatural | Vic Chesnutt | G Minor | 2 | 6A | 82 BPM | ||
| Billie Jean | Matt Watts | F♯ Minor | 4 | 11A | 113 BPM | ||
| Sascha | Jolie Holland | E Major | 2 | 12B | 104 BPM | ||
| Betty Lonely | Vic Chesnutt | G Minor | 4 | 6A | 78 BPM |