Ruth Etting's ' "If I Could Be with You One Hour Tonight" was released on its scheduled release date, January 9, 1925. The duration of This song is about 3 minutes long, at 3:02. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 31 out of 43 in Cryin' for the Beloved by Ruth Etting. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, If I Could Be with You One Hour Tonight is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of If I Could Be with You One Hour Tonight by Ruth Etting is Andante (at a walking pace), since this song has a tempo of 98 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| I'll get by | Ruth Etting | C Major | 4 | 8B | 162 BPM | ||
| Dangerous Nan McGrew | Helen Kane | G Major | 1 | 9B | 90 BPM | ||
| My Sweetie Went Away | The Rhythm Rascals, Sid Phillips, Swing Rhythm Boys | B♭ Major | 4 | 6B | 183 BPM | ||
| Deep Purple | Bea Wain | G Major | 1 | 9B | 90 BPM | ||
| What A Diff'rence A Day Made | Dorsey Brothers Orchestra | B♭ Major | 1 | 6B | 108 BPM | ||
| In the Hush of the Night | Lee Morse | B♭ Major | 1 | 6B | 134 BPM | ||
| Here's Love in Your Eyes | Lee Wiley | G Major | 1 | 9B | 90 BPM | ||
| How Long Did I Dream? | Kay Kyser & His Orchestra, Ginny Simms | G Major | 1 | 9B | 90 BPM | ||
| Cuddle Up A Little Closer | Charlie Spivak & His Orchestra | E♭ Major | 2 | 5B | 81 BPM | ||
| Shoo Shoo Boogie Boo | Ethel Waters | G Major | 1 | 9B | 90 BPM | ||
| I Can't Get Started with You | Red McKenzie | G Major | 1 | 9B | 90 BPM | ||
| Why Am I so Romantic? | Sam Lanin & His Orchestra | C Minor | 1 | 5A | 82 BPM | ||
| Under A Texas Moon | Hal Kemp And His Orchestra | E♭ Major | 1 | 5B | 139 BPM | ||
| Egyptian Ella | Jack Hylton & His Orchestra | G Minor | 6 | 6A | 125 BPM | ||
| The Nightmare | Cab Calloway & His Orchestra | G Major | 1 | 9B | 90 BPM | ||
| Blondy | Jack Purvis, Smith Ballew and His Orchestra | B♭ Major | 3 | 6B | 97 BPM | ||
| Singing a vagabond song | Harry Richman | G Major | 3 | 9B | 118 BPM | ||
| The One Rose (That's Left In My Heart) | Bea Wain | A♭ Major | 1 | 4B | 180 BPM | ||
| Me and the Man in the Moon | Frank Salvano & Ambassadors | E♭ Major | 2 | 5B | 128 BPM | ||
| Haunting Me | Lew Stone & His Band | D♭ Major | 1 | 3B | 95 BPM | ||
| Donkey Serenade | Gracie Fields | B♭ Major | 3 | 6B | 115 BPM | ||
| Love Letters In The Sand | Lee Morse | A♭ Major | 1 | 4B | 97 BPM | ||
| I've Got To Sing A Torch Song | Helen Rowland With Ed Kirkeby Orchestra | D♭ Major | 3 | 3B | 118 BPM | ||
| I'm Just a Vagabond Lover | Rudy Vallee | B♭ Major | 2 | 6B | 106 BPM | ||
| The Way You Look Tonight | The Merry Macs | D♭ Major | 2 | 3B | 183 BPM |