On July 15, 1970, the song "The Watts Breakaway" was released by The Johnny Otis Show. The duration of This song is about two minutes long, specifically at 2:37. This song does not appear to have any foul language. The Watts Breakaway's duration is considered a little bit shorter than the average duration of a typical track. The song is number 1 out of 12 in Cuttin Up by Johnny Otis Show. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, The Watts Breakaway is currently below average in popularity. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of The Watts Breakaway by The Johnny Otis Show is Moderato (at a moderate speed), since this song has a tempo of 114 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Are You My Woman? (Tell Me So) | The Chi-Lites | A Minor | 9 | 8A | 112 BPM | ||
| Back From the Dead | Bobby Byrd | D Major | 6 | 10B | 111 BPM | ||
| Aunt Dora's Love Soul Shack | Arthur Conley | G Major | 7 | 9B | 120 BPM | ||
| She's Lookin' Good | Tyrone Davis | E Major | 9 | 12B | 155 BPM | ||
| Soul Bowl | The Memphis Horns | G Major | 5 | 9B | 182 BPM | ||
| Fug | Cymande | C Major | 6 | 8B | 117 BPM | ||
| Come On Train | Don Thomas | C Major | 7 | 8B | 104 BPM | ||
| Love's Gone Bad - Single Version | Chris Clark | B♭ Minor | 6 | 3A | 119 BPM | ||
| Rap It Together | Detroit Sex Machines | B Minor | 10 | 10A | 176 BPM | ||
| Running for My Life | Roscoe Shelton | G Major | 4 | 9B | 134 BPM | ||
| Get in the Groove | The Mighty Hannibal | D Major | 9 | 10B | 109 BPM | ||
| More And More | Little Milton | B♭ Major | 6 | 6B | 105 BPM | ||
| Baby Hit And Run - Alternate Vocal | The Contours | D♭ Major | 7 | 3B | 139 BPM | ||
| Easily Persuaded | Martha Reeves & The Vandellas | D♭ Major | 7 | 3B | 99 BPM | ||
| Baby Let Me Kiss You | King Floyd | D♭ Major | 5 | 3B | 75 BPM | ||
| Soulful Dress | Sugar Pie DeSanto | G Minor | 5 | 6A | 88 BPM | ||
| Bertha Butt Encounters Vadar | The Jimmy Castor Bunch | F Major | 8 | 7B | 100 BPM | ||
| I'm Gonna Do It by Myself | Jimmy "Preacher" Ellis | B Minor | 8 | 10A | 129 BPM | ||
| Funky to the Bone | Freddi / Henchi and the Soulsetters | D Major | 7 | 10B | 161 BPM | ||
| Superstar (Remember How You Got Where You Are) | The Undisputed Truth | E♭ Major | 6 | 5B | 133 BPM | ||
| Honky Tonk - Pt. 1 | The James Brown Soul Train | D Major | 5 | 10B | 116 BPM | ||
| Night People | Furacão 2000, Lee Dorsey | F♯ Minor | 9 | 11A | 100 BPM | ||
| Show Me | Joe Tex | E Major | 8 | 12B | 146 BPM | ||
| Different Strokes | Syl Johnson | D Major | 7 | 10B | 108 BPM | ||
| I Stayed Away Too Long | Manuel B. Holcolm | D Major | 9 | 10B | 93 BPM |