Typecast's ' "The Conflict" was released on its scheduled release date, January 1, 2006. The duration of This song is about two minutes long, specifically at 2:59. This song does not appear to have any foul language. The Conflict's duration is considered a little bit shorter than the average duration of a typical track. The song is number 7 out of 13 in Every Moss And Cobweb by Typecast. Going off of the ISRC code of this track, we detected that the origin of this track is from Australia. In terms of popularity, The Conflict is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of The Conflict by Typecast is Andante (at a walking pace), since this song has a tempo of 90 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Make It Count | The Fire Restart | G Major | 10 | 9B | 105 BPM | ||
| Falling Earth | Dicta License | G Major | 8 | 9B | 85 BPM | ||
| James Caan Make Yourself at Home | Grace Gale | G Major | 10 | 9B | 99 BPM | ||
| Salamin | Vie | G Minor | 9 | 6A | 110 BPM | ||
| Afterburn | FRANCO | A♭ Major | 10 | 4B | 118 BPM | ||
| Guns And Butter | Harbor Skyline | A♭ Major | 9 | 4B | 90 BPM | ||
| The Rake | Days of January | A♭ Major | 10 | 4B | 140 BPM | ||
| From a Moving Train | Viscera's Recital | G Major | 4 | 9B | 152 BPM | ||
| Smoke Under the Table | Dicta License | D Major | 7 | 10B | 151 BPM | ||
| Breathe Again | Chicosci | C Major | 10 | 8B | 100 BPM | ||
| Victim (Tower Sessions Live) | SkyChurch | D♭ Major | 10 | 3B | 130 BPM | ||
| Familiar Sound | Novemberkills | F Major | 9 | 7B | 130 BPM | ||
| There Are Three Sides to Every Story | Until This Day | A♭ Major | 9 | 4B | 180 BPM | ||
| New Campaign | Grace Gale | F Major | 10 | 7B | 170 BPM | ||
| Love and Devotion | Valley of Chrome | D♭ Minor | 8 | 12A | 108 BPM | ||
| Feel the Ride | Counterfit | B♭ Minor | 6 | 3A | 139 BPM | ||
| But What If We Will | Imbue No Kudos | G Major | 9 | 9B | 142 BPM | ||
| If You're Gone | Jakarta Flames | F Major | 9 | 7B | 100 BPM | ||
| Mascara and how it Looks in the Mixture | (in theory) | A Major | 8 | 11B | 93 BPM | ||
| Until Nightmares End | Forgotten Alibi | D Minor | 10 | 7A | 109 BPM | ||
| Maggots | Curbside | B Minor | 10 | 10A | 88 BPM | ||
| Lord, Bless Our Imperfections for They Are All We Have Left | Upon Beauty Rests | C Minor | 9 | 5A | 160 BPM | ||
| Heather's Prayer | Saydie | D♭ Minor | 9 | 12A | 93 BPM | ||
| We Wasted Everything | Asteria | A Major | 8 | 11B | 180 BPM | ||
| Follow | Faspitch | F Minor | 9 | 4A | 154 BPM |