Ken Valdez's 'Better Days To Come' had a release date set for January 11, 2011. With this song being around four minutes long, at 4:23, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 10 out of 10 in Every Little Lie by Ken Valdez. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, Better Days To Come's popularity is unknown right now. Although the overall vibe is very danceable, it does project more negative sounds.
The tempo marking of Better Days To Come by Ken Valdez is Allegro (fast, quick, and bright), since this song has a tempo of 127 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Salvation from Sundown | Lance Lopez | F♯ Major | 8 | 2B | 138 BPM | ||
| Liquor Store | Hot As A Pepper | D Major | 8 | 10B | 160 BPM | ||
| Let Me Love You | Dyer Davis | C Major | 8 | 8B | 92 BPM | ||
| Rock and Roll Record | The Georgia Thunderbolts | E♭ Minor | 6 | 2A | 115 BPM | ||
| Every Time I Breathe | Ken Valdez | C Minor | 7 | 5A | 127 BPM | ||
| Last Train Around the Sun (Live) | Alastair Greene | B Major | 9 | 1B | 114 BPM | ||
| Roadworn Blues | The Holy Guns | D Major | 9 | 10B | 114 BPM | ||
| All On the Line | Ken Valdez | E Major | 5 | 12B | 135 BPM | ||
| Saddled and Rode | Preacher Stone | D♭ Major | 9 | 3B | 124 BPM | ||
| Cut You Loose | Blackwater Bayou | D Major | 7 | 10B | 110 BPM | ||
| Tequila & Bullets | Jay Hooks | B♭ Minor | 7 | 3A | 105 BPM | ||
| The Whippoorwills Call | The Unwanted | D Major | 7 | 10B | 146 BPM | ||
| London Mile Blues | Mississippi Supercult | A♭ Major | 6 | 4B | 85 BPM | ||
| Heart Fixin' Blues | Lance Lopez | A♭ Major | 8 | 4B | 111 BPM | ||
| Austin Blues | The Keith Doran Band | B♭ Minor | 9 | 3A | 105 BPM | ||
| Shame | Henrik Freischlader | B Minor | 9 | 10A | 145 BPM | ||
| Southern Blues | Mile Train | A♭ Major | 8 | 4B | 172 BPM | ||
| Hitchhiking Blues | Turquoise Steel, Sage Cornelius | A♭ Minor | 8 | 1A | 114 BPM | ||
| Hot Spot | Lazlo's Gone | A♭ Major | 7 | 4B | 140 BPM | ||
| Making Amends | Basement Saints | D Major | 5 | 10B | 72 BPM | ||
| Stealin' from the Devil - 2024 Remix | Anthony Gomes | D♭ Major | 7 | 3B | 120 BPM | ||
| Oregon Blue | The Holy Guns | A Major | 7 | 11B | 96 BPM | ||
| Still Hungry | Stevie Nimmo | G Minor | 5 | 6A | 160 BPM | ||
| Blues Don't Always "Have to Be Blue" | BLUES OF MASS SEDUCTION | B Minor | 8 | 10A | 113 BPM | ||
| In the Name of No Good | Altered Five Blues Band | F Major | 7 | 7B | 121 BPM |