"Sacred Place" by Future Of Forestry had its release date on January 1, 2007. With this song being around four minutes long, at 3:42, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 13 in the song's album "Twilight". In this album, this song's track order is #7. Furthermore, we believe that the track originated from United States. Based on our statistics, Sacred Place's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Sacred Place by Future Of Forestry having a BPM of 139 with a half-time of 70 BPM and a double-time of 278 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
E Minor is the music key of this track. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Movement 2 (Isaiah 53:1-3) | The Corner Room | E Minor | 5 | 9A | 110 BPM | ||
| The Deep | Benjamin James | D Major | 3 | 10B | 119 BPM | ||
| (50) out of Zion | Loud Harp | E♭ Major | 4 | 5B | 90 BPM | ||
| Come To Me | Wendell Kimbrough | D Major | 1 | 10B | 120 BPM | ||
| Josephs Lullaby | Broken Division, The Poet of the Heart | G Major | 3 | 9B | 73 BPM | ||
| The Morning | Thomas Austin | F♯ Major | 3 | 2B | 67 BPM | ||
| I Wonder as I Wander | Future Of Forestry | B♭ Minor | 2 | 3A | 82 BPM | ||
| Holding Us All Together | Andrew Word | C Major | 2 | 8B | 146 BPM | ||
| O Ancient Son | Young Oceans | D Major | 4 | 10B | 78 BPM | ||
| Lo, How a Rose E'er Blooming | The Gray Havens, Joel Ansett | D♭ Major | 1 | 3B | 93 BPM | ||
| To the Friend & True King | Vian Izak | E♭ Major | 4 | 5B | 100 BPM | ||
| O Come, O Come Emmanuel | Wendell Kimbrough, Rachel Wilhelm | D Minor | 3 | 7A | 175 BPM | ||
| Heaven's King | Emilie Weiss | F Major | 2 | 7B | 132 BPM | ||
| I'd Sing Hallelujah | Andy Zipf | F Major | 2 | 7B | 109 BPM | ||
| A City No Longer Forsaken (feat. Jamie Barnes) | Jamie Barnes | D Major | 6 | 10B | 118 BPM | ||
| December Air | Lockton, Lane King | D Major | 5 | 10B | 136 BPM | ||
| Lord Have Mercy | Brady Toops | A Major | 4 | 11B | 126 BPM | ||
| I'm Set Free | Pacific Gold | C Major | 8 | 8B | 114 BPM | ||
| All Who Hear | Young Oceans | C Major | 3 | 8B | 142 BPM | ||
| Still Waters | Andrew Osenga | D Major | 2 | 10B | 77 BPM | ||
| Even the Grave | Sherri Youngward | D♭ Major | 3 | 3B | 125 BPM | ||
| In Awe | Seeker & Servant | E♭ Major | 6 | 5B | 140 BPM | ||
| Rooftops | Kye Kye | A Major | 4 | 11B | 172 BPM | ||
| Immanuel | Loud Harp | D♭ Major | 6 | 3B | 104 BPM | ||
| be/loved (3) | Psallos | B♭ Major | 5 | 6B | 83 BPM |