Dilip Prabhavalkar, Anupama, Pradeep Bhide's ' "Ghantasur V Mhatari" was released on its scheduled release date, October 27, 1994. With this song being around four minutes long, at 4:27, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 3 out of 10 in Chhan Chhan Goshti, Pt. 4 by Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from India. Ghantasur V Mhatari is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Ghantasur V Mhatari by Dilip Prabhavalkar, Anupama, Pradeep Bhide is Andante (at a walking pace), since this song has a tempo of 87 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
F♯ Minor is the music key of this track. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Hatot Pan Botaloi | Dr Anima Choudhury, Tarali Sarma, Ambalika, Group | B Minor | 2 | 10A | 68 BPM | ||
| Chimanila Sapdla Moti | Bhakti Barve Inaamdar, Pradeep Bhide | A♭ Major | 2 | 4B | 82 BPM | ||
| Ab Tak | Zia Mohyeddin | D Minor | 3 | 7A | 124 BPM | ||
| Ta Kar a Char Thay Bar Bu | Hinthada Tun Yin | F♯ Major | 3 | 2B | 88 BPM | ||
| Andhatva Dialogue | Dilip Prabhavalkar | B Minor | 2 | 10A | 85 BPM | ||
| Mashur Kar Diya Mujhe Aaqa Ki Naat Ne | Asad Iqbal | B♭ Minor | 7 | 3A | 120 BPM | ||
| Kripa Karo Deen Ke Date | Sukhvinder | F Major | 2 | 7B | 118 BPM | ||
| Somaji Gomaji Kapse | Dilip Prabhavalkar, Anupama, Pradeep Bhide | F♯ Major | 4 | 2B | 119 BPM | ||
| Bhajukina Rama Nama Re Kumara | Bhikari Bal | D♭ Minor | 6 | 12A | 170 BPM | ||
| Yeh Baiat Nahin Hay-Yeh Soda Hay Dil Ka | Al Islam, Muhammad Ismatullah | E♭ Major | 4 | 5B | 134 BPM | ||
| Angulimala Piritha - අංගුලිමාල පිරිත | Dharmavinaya | A♭ Major | 3 | 4B | 106 BPM | ||
| Sob Facebook e Diben Na | Mizanur Rahman Azhari | F Minor | 3 | 4A | 48 BPM | ||
| Surah Yaseen | Maulana Fateh Muhammad Jalandhari | B Minor | 5 | 10A | 107 BPM | ||
| Teri misaal ho gaye | Janid Kashmiri, Jaun Elia | F Major | 3 | 7B | 123 BPM | ||
| Hasya Nu Injection | Dhirubhai Sarvaiya | E Minor | 9 | 9A | 83 BPM | ||
| Hemkunt da Tapasve 2 | Giani Sant Singh Maskeen | D♭ Major | 8 | 3B | 88 BPM | ||
| Wo Bhi Koi Dil Hai | Peer Ajmal Raza Qadri | A♭ Major | 2 | 4B | 120 BPM | ||
| Siddha Kunjika Stotram | Narayan Prasad Das | D Major | 9 | 10B | 77 BPM | ||
| Shejari Dialogue | Dilip Prabhavalkar | A♭ Major | 2 | 4B | 167 BPM | ||
| Khuda Ka Ye Ihsaan Hay Hum Pe Bhari | Al Islam, Muhammad Ismatullah | B♭ Major | 1 | 6B | 94 BPM | ||
| Nawa Guna Shanti | Zen Habits | B♭ Major | 0 | 6B | 69 BPM | ||
| Huanaspa Acoria | AthaNualpa | F♯ Minor | 5 | 11A | 84 BPM | ||
| Angulimala Piritha | Ven Seelarathana Thero | B♭ Major | 2 | 6B | 118 BPM | ||
| Bismil Ilaahil Lazi | Khassida | G Major | 5 | 9B | 138 BPM | ||
| Bhadanu Makan Part 2 | Bhikhudan Gadhvi | D♭ Minor | 4 | 12A | 79 BPM |