"Thank You (R.J. Reynolds)" by Chris Jones had its release date on 2003. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 12 in the song's album "Roadhouses & Automobiles". In this album, this song's track order is #2. Furthermore, we believe that the track originated from Germany. Thank You (R.J. Reynolds) is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Thank You (R.J. Reynolds) by Chris Jones having a BPM of 88 with a half-time of 44 BPM and a double-time of 176 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Dedicated to ... | Allan Taylor | E Minor | 3 | 9A | 116 BPM | ||
| Mississippi Phone Booth | John Hiatt, Jerry Douglas | A Major | 6 | 11B | 178 BPM | ||
| Big in Japan - Live | Ane Brun | B Major | 1 | 1B | 77 BPM | ||
| Landmark | Antonio Forcione | E Minor | 5 | 9A | 110 BPM | ||
| We Still Grow | Gare Du Nord | C Major | 3 | 8B | 97 BPM | ||
| All Is One | Allan Taylor, Ian Melrose, Lutz Moeller, Lea Morris, Beo Brockhausen, Sven Von Samson, Grischka Zepf | A Minor | 5 | 8A | 126 BPM | ||
| Crystal Ball | Carolin No | D♭ Major | 2 | 3B | 116 BPM | ||
| Last night | Calvin Russell | A Major | 5 | 11B | 72 BPM | ||
| Magnetic Lies | Malia, Boris Blank | D Major | 5 | 10B | 160 BPM | ||
| Cold Rain | Blues Company | D Minor | 0 | 7A | 189 BPM | ||
| Dirty Water | Ewen Carruthers | C Major | 4 | 8B | 111 BPM | ||
| I Can't Quit You Baby | Bjørn Berge | B♭ Minor | 1 | 3A | 88 BPM | ||
| Time to Move On | Anette Askvik | C Major | 1 | 8B | 104 BPM | ||
| Ray of Light | Berdon Kirksaether | D Major | 0 | 10B | 66 BPM | ||
| We Stood as One | Allan Taylor, Ian Melrose, Lutz Moeller, Lucile Chaubard, Lea Morris, Hans-Joerg Maucksch | A Major | 3 | 11B | 105 BPM | ||
| Revenant | David Knopfler | A Minor | 2 | 8A | 81 BPM | ||
| Young Again - Extended Mix | Hardwell, Chris Jones | E♭ Minor | 7 | 2A | 84 BPM | ||
| Help Me Through the Day | Baba Blues | D Minor | 3 | 7A | 85 BPM | ||
| Poor Lonesome Me | Eugene Ruffolo | D Minor | 5 | 7A | 146 BPM | ||
| Drifting Blues | Bjørn Berge | G Major | 3 | 9B | 92 BPM | ||
| My World Is Gone | Otis Taylor, Mato Nanji | F Major | 3 | 7B | 82 BPM | ||
| Long Long Journey | Chris Jones | C Major | 5 | 8B | 80 BPM | ||
| Set You Free | Sara K. | F♯ Major | 3 | 2B | 108 BPM | ||
| I Remember You | Keb' Mo' | C Major | 5 | 8B | 105 BPM | ||
| Take Me Down | Larry Carlton | B Minor | 2 | 10A | 137 BPM |