Sin City Sinners, Dizzy Reed's ' "All the Way from Memphis (feat. Dizzy Reed)" was released on its scheduled release date, November 1, 2013. With this song being around four minutes long, at 4:05, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 8 out of 14 in Divebar Days Revisited by Sin City Sinners. Going off of the ISRC code of this track, we detected that the origin of this track is from Turks and Caicos Islands. Based on our statistics, All the Way from Memphis (feat. Dizzy Reed)'s popularity is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of All the Way from Memphis (feat. Dizzy Reed) by Sin City Sinners, Dizzy Reed is Allegro (fast, quick, and bright), since this song has a tempo of 131 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song has a musical key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Rock City | Peder Pan | A Major | 7 | 11B | 160 BPM | ||
| And It's Time | Alan Morse | D Major | 7 | 10B | 111 BPM | ||
| It Takes a Lot | 54-40 | D Major | 7 | 10B | 111 BPM | ||
| If All Else Fails | Big Wreck | D♭ Minor | 8 | 12A | 128 BPM | ||
| Rock in Space | The Darkness | G Major | 10 | 9B | 143 BPM | ||
| Happy | The Quireboys | G Minor | 7 | 6A | 148 BPM | ||
| She Says What She Means | Sloan | A Major | 9 | 11B | 123 BPM | ||
| I'll Take My Chances | The Gold Needles | F Minor | 9 | 4A | 130 BPM | ||
| Somewhere over the Rainbow Bar and Grill | David Lee Roth | E Major | 7 | 12B | 137 BPM | ||
| Tough It Out | Webb Wilder | D♭ Major | 10 | 3B | 161 BPM | ||
| Posters | Dada | A Major | 7 | 11B | 103 BPM | ||
| Am I Ever Gonna See Your Face Again | THE FILTHY ANIMALS, Dave Gleeson | D Major | 7 | 10B | 111 BPM | ||
| I Am | Scott Gist | G Major | 8 | 9B | 111 BPM | ||
| Abandoned In-Between | Michael McDermott | C Major | 4 | 8B | 103 BPM | ||
| Beautacious | Dum Viva Disco | D Major | 7 | 10B | 111 BPM | ||
| Shadyside | Roger Clyne & The Peacemakers | E Major | 9 | 12B | 137 BPM | ||
| A Merry Jingle | Forge Hounds | A Major | 8 | 11B | 82 BPM | ||
| Itsalwaysomething | Rick Springfield | D Major | 9 | 10B | 118 BPM | ||
| Taste Like | Tesla | C Major | 8 | 8B | 123 BPM | ||
| Before the Cock Crows | Whiskey N' Rye | C Major | 9 | 8B | 130 BPM | ||
| Dragon Teeth and Razor Wire | Mark Lee Wilkins | D Minor | 8 | 7A | 133 BPM | ||
| Not Tonight - Studio Version | The New Cars | D Major | 9 | 10B | 136 BPM | ||
| It's Good To Be Alive | Jason Demetri | D Major | 7 | 10B | 111 BPM | ||
| Repetition Thing | Reunion Station | A Major | 8 | 11B | 110 BPM | ||
| Know Me Now | Bryan Hill & the Layabouts | C Major | 8 | 8B | 184 BPM |