Rafiq Ahmed, Pete Harris, Shazia Manzoor's ' "Pyar Naal Pyar Sajna ("Stuck In The Middle")" was released on its scheduled release date, June 1, 1999. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 6 out of 8 in Face Value by Rafiq Ahmed. Based on our statistics, Pyar Naal Pyar Sajna ("Stuck In The Middle")'s popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Pyar Naal Pyar Sajna ("Stuck In The Middle") by Rafiq Ahmed, Pete Harris, Shazia Manzoor is Allegro (fast, quick, and bright), since this song has a tempo of 125 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Nath Choti Nath Mhoti | Moti Khan | E Major | 8 | 12B | 170 BPM | ||
| Parvashta Pash Deve | Bharat Balvalli | B♭ Major | 8 | 6B | 150 BPM | ||
| Thar Mata Thar | Gulshan Khemani | F♯ Major | 7 | 2B | 110 BPM | ||
| Bichudoo | Naik Mohammad, Sikander Kha Langa & Party | F♯ Major | 8 | 2B | 106 BPM | ||
| Lalee | Ghewar Khan, Dare Khan, Rafik Khan | F♯ Major | 7 | 2B | 127 BPM | ||
| Hari Ni Hatadiye Mare Kayam Nu | Mathurbhai Kanjariya | A♭ Major | 8 | 4B | 109 BPM | ||
| Halve Chalo | SAZ | B Major | 5 | 1B | 142 BPM | ||
| Kesariyo Hazari Gulro Phool | Sikandar Khan | A Minor | 7 | 8A | 160 BPM | ||
| Yamunechya Tiri | Rajjubhai | F Major | 9 | 7B | 97 BPM | ||
| Shivaji Nu Halaradu | Bhikhudan Gadhvi | B♭ Minor | 6 | 3A | 141 BPM | ||
| Ujaalle Bhagy Aata | Bandubua Golegavkar | E♭ Minor | 7 | 2A | 107 BPM | ||
| Pati Hai Mero Neech Gawar | Brijesh Shastri | B Major | 6 | 1B | 103 BPM | ||
| Ishwar Tu Pan Chhe Vignani | Birju Barot | A Major | 9 | 11B | 106 BPM | ||
| Taraanah | Fareed Ayaz Abu Muhammad Qawwal | E♭ Major | 8 | 5B | 143 BPM | ||
| Avelo Mankho Sudharo | Gopal Sadhu | G Minor | 6 | 6A | 150 BPM | ||
| Ramai Che Upkaar | Kadubai Kharat, Dhamma Dhanve | A♭ Major | 6 | 4B | 100 BPM | ||
| Samdariyo | Kesariya Rajasthan | A Major | 3 | 11B | 168 BPM | ||
| Gyan Ganje Ki Chilam | PARSOTAM PARI GOSWAMI | A♭ Major | 4 | 4B | 105 BPM | ||
| Avghe Garje Pandharpura | Kashirambuva Indolikar, Digambar Kute | F Minor | 7 | 4A | 97 BPM | ||
| Mehndi | Langas And Manganiars | G Minor | 8 | 6A | 101 BPM | ||
| Vijadi Ne Chamkare | Damyanti Bardai | F Minor | 8 | 4A | 103 BPM | ||
| Moda Kyo Padhariya | Murlidhar Paudwal | E♭ Minor | 7 | 2A | 171 BPM | ||
| Chirmi Ra Daala Chaar | Mamta Singh | B Major | 7 | 1B | 102 BPM | ||
| Dhun Siya | Langas, Manganiars | G Major | 7 | 9B | 122 BPM | ||
| Hariyalo Bando Chudi Gajaro | Khanak | A Minor | 6 | 8A | 102 BPM |