Franz Schubert, NAOTO's ' "エレンの歌 第3番「アヴェ・マリア」Op.52-6" was released on its scheduled release date, March 3, 2010. With this song being around four minutes long, at 4:07, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 14 in the song's album "NAOTO Reversible 2009 -Concert side-". In this album, this song's track order is #5. Furthermore, we believe that the track originated from Japan. Based on our statistics, エレンの歌 第3番「アヴェ・マリア」Op.52-6's popularity is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With エレンの歌 第3番「アヴェ・マリア」Op.52-6 by Franz Schubert, NAOTO having a BPM of 155 with a half-time of 78 BPM and a double-time of 310 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with running. The time signature for this track is 4/4.
E♭ Major is the music key of this track. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| しあわせはごはんから | Nobuyuki Nakajima | G Major | 1 | 9B | 124 BPM | ||
| 人生フルーツ#1 | 村井秀清 | F Major | 1 | 7B | 80 BPM | ||
| 虹彩 | Shinya Kiyozuka, 高井羅人 | E Major | 1 | 12B | 88 BPM | ||
| エターナル | Taro Hakase | D Major | 5 | 10B | 139 BPM | ||
| 家族になろうよ | 12 Violinists | F♯ Minor | 3 | 11A | 113 BPM | ||
| 想 | NAOTO | G Major | 3 | 9B | 179 BPM | ||
| Someday Somehow | Taro Hakase, Chisako Takashima | G Major | 7 | 9B | 124 BPM | ||
| サウンド・オブ・ミュージック | Ikuko Kawai | F Major | 4 | 7B | 177 BPM | ||
| 白い巨塔 | Takashi Kako | A Minor | 3 | 8A | 95 BPM | ||
| 静かな時間 | 金子 隆博 | E Major | 3 | 12B | 78 BPM | ||
| ビタミン | Yukie Nishimura, NH&K TRIO | D♭ Minor | 6 | 12A | 97 BPM | ||
| 未来へ向かう子ども達 | Masahiro Tokuda | C Major | 3 | 8B | 123 BPM | ||
| Before the Wind | NAOTO | C Major | 8 | 8B | 126 BPM | ||
| ニュー・シネマ・パラダイス | Ennio Morricone, 古澤巖, Sergio & Odair Assad | D Major | 1 | 10B | 68 BPM | ||
| コバルト・ムーン | Ikuko Kawai | F Minor | 2 | 4A | 107 BPM | ||
| 夜は命に、昼はそれぞれの人生に向き合いながら | Masahiro Tokuda | C Major | 8 | 8B | 66 BPM | ||
| はやぶさ 遥かなる帰還 メイン・テーマ - ピアノ・ソロ版 | Nobuyuki Tsujii | G Major | 1 | 9B | 75 BPM | ||
| 空飛ぶ広報室 メインテーマ | ドラマ「空飛ぶ広報室」サントラ | G Major | 3 | 9B | 171 BPM | ||
| Indian Summer<冬の陽だまり> | ウォン・ウィンツァン | C Major | 1 | 8B | 131 BPM | ||
| ユー・レイズ・ミー・アップ | Rolf Løvland, Chisako Takashima | C Major | 1 | 8B | 175 BPM | ||
| Seeking a Distant Dawn | Falcom Sound Team jdk | C Minor | 7 | 5A | 100 BPM | ||
| オーロラを待ちながら | Toshiaki Matsumoto | A♭ Major | 2 | 4B | 124 BPM | ||
| Recollection | Takeshi Kobayashi | E♭ Major | 1 | 5B | 118 BPM | ||
| ささやかな希望、あふれ出る光 | Takatsugu Muramatsu | F Major | 1 | 7B | 131 BPM | ||
| ザナルカンドにて | ヒビキpiano | A Minor | 2 | 8A | 82 BPM |