Five Hundredth Year's ' "Talking Body" was released on its scheduled release date, May 22, 2015. Talking Body is explicit and may not be suitable for children. With the duration being about 3:44, this song is close to the average duration of a typical track. Since Talking Body only contains only one song in the album, we like to consider this song as a single. Furthermore, we believe that the track originated from Turks and Caicos Islands. Based on our statistics, Talking Body's popularity is below average in popularity right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Talking Body by Five Hundredth Year having a BPM of 120 with a half-time of 60 BPM and a double-time of 240 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
C Minor is the music key of this track. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Where Can I Call Home | At My Mercy, Craig Mabbitt | D♭ Minor | 9 | 12A | 180 BPM | ||
| The Look | Age of Days | F Major | 10 | 7B | 98 BPM | ||
| Crazy | From Ashes to New | E Minor | 10 | 9A | 95 BPM | ||
| Aftermath | As Lions | D Minor | 10 | 7A | 193 BPM | ||
| Levitating | Archers | B♭ Minor | 9 | 3A | 103 BPM | ||
| The Hills | Classic Jack | D♭ Major | 8 | 3B | 118 BPM | ||
| Blind Apologies | Wake Up Hate | D♭ Minor | 7 | 12A | 140 BPM | ||
| Shape of You | Fame on Fire | D♭ Major | 9 | 3B | 192 BPM | ||
| Rollercoaster | Framing Hanley | D♭ Major | 9 | 3B | 158 BPM | ||
| Glad You Came | We Came As Romans | G Minor | 9 | 6A | 130 BPM | ||
| The Hills | Archers | F Minor | 10 | 4A | 120 BPM | ||
| Str8 To The Bottom | Weaving The Fate | F♯ Major | 7 | 2B | 86 BPM | ||
| Timeless | The Oceanside | B Minor | 8 | 10A | 160 BPM | ||
| Where Do We Go | Dharmata | E Minor | 9 | 9A | 118 BPM | ||
| Cop Car | Another Lost Year | D♭ Major | 9 | 3B | 154 BPM | ||
| Straight Up | Shrimpfield | D♭ Minor | 8 | 12A | 130 BPM | ||
| False Alarm | Smile Empty Soul | F Minor | 7 | 4A | 147 BPM | ||
| Let Me Live My Life | Saint Asonia | D♭ Minor | 10 | 12A | 177 BPM | ||
| Bad Guy | Conquer Divide | G Major | 6 | 9B | 135 BPM | ||
| Lose Yourself | Serianna | B Major | 10 | 1B | 172 BPM | ||
| Stand Up | Five Hundredth Year | B♭ Minor | 10 | 3A | 90 BPM | ||
| Shatterproof | Scarlet City, Jake Segura of Citizen Soldier | F Minor | 9 | 4A | 150 BPM | ||
| I Won't Surrender | BROACH | F♯ Minor | 8 | 11A | 180 BPM | ||
| In Chains | Shaman's Harvest | B Minor | 7 | 10A | 142 BPM | ||
| I Came to Party | Deuce | F Major | 9 | 7B | 140 BPM |