Tokyo Tape's 'Intersection Tape' had a release date set for September 20, 2025. The duration of This song is about two minutes long, specifically at 2:18. This song does not appear to have any foul language. Intersection Tape's duration is considered a little bit shorter than the average duration of a typical track. Because this song is the only song in Intersection Tape and no other songs are present in the album, we classify this track as a single. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Intersection Tape is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Intersection Tape by Tokyo Tape to be Andante (at a walking pace) because the track has a tempo of 90 BPM, a half-time of 45BPM, and a double-time of 180 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Streetlight Fade | Late Taxi | E Minor | 5 | 9A | 90 BPM | ||
| Midnight-Blues | Hanako Chan | B♭ Minor | 5 | 3A | 90 BPM | ||
| Crossroad | Wearelandia | G Minor | 5 | 6A | 82 BPM | ||
| Soft Desk Ambience | loNfi | G Minor | 5 | 6A | 82 BPM | ||
| Restless Air | LoKey | G Minor | 3 | 6A | 120 BPM | ||
| Neon Kyoto | Rose Otaku | A Major | 6 | 11B | 85 BPM | ||
| Shinrin-yoku | Cuezy., Vaso Lipa | F♯ Major | 5 | 2B | 75 BPM | ||
| Business Of Buzziness | Flitz&Suppe, bert cussion | G Minor | 5 | 6A | 82 BPM | ||
| Last Stop Before Midnight | lofi drive home | D Major | 6 | 10B | 80 BPM | ||
| Evening Call | Midcity | E♭ Minor | 4 | 2A | 174 BPM | ||
| Mirage Signal | LoSoul | F Major | 4 | 7B | 169 BPM | ||
| Harborline Drift | Cloudseat | F♯ Minor | 7 | 11A | 85 BPM | ||
| Seafoam Nights | Chill Hibi | A♭ Minor | 4 | 1A | 85 BPM | ||
| Built for This | Best Background Beatz | A♭ Minor | 3 | 1A | 76 BPM | ||
| Romance | Anglox | E Minor | 2 | 9A | 85 BPM | ||
| Back Alley Dawn | LoFi Southside | C Major | 5 | 8B | 88 BPM | ||
| Eastside Lights | LoFi Southside | A Minor | 4 | 8A | 92 BPM | ||
| Fading Signal Pulse | Julian Korr | E Minor | 5 | 9A | 174 BPM | ||
| nicer than that other side | loNfi | B Major | 6 | 1B | 87 BPM | ||
| Moonshine | Outlo-fi | A Minor | 9 | 8A | 180 BPM | ||
| Retro Loading Bar | Lo-Bit | B♭ Minor | 4 | 3A | 160 BPM | ||
| Fifth Street Slow | Sunset Kid | C Major | 5 | 8B | 90 BPM | ||
| Silent Velocity | Zyron Coast | D♭ Minor | 5 | 12A | 96 BPM | ||
| After Rain | Midcity | G Major | 4 | 9B | 172 BPM | ||
| Kirei | CharvetBeats | G Minor | 5 | 6A | 82 BPM |