Sergio Mella's 'A Whiter Shade Of Pale' had a release date set for September 22, 2017. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 10 in the song's album "Piano In Love, songs about memories". In this album, this song's track order is #10. A Whiter Shade Of Pale is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With A Whiter Shade Of Pale by Sergio Mella having a BPM of 75 with a half-time of 38 BPM and a double-time of 150 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Sometimes When We Touch | Jamie Conway | D Major | 1 | 10B | 114 BPM | ||
| The Lady in Red | Sebastian Vargas | B♭ Major | 2 | 6B | 75 BPM | ||
| L'été 42 | Richard Zillersman | C Major | 3 | 8B | 134 BPM | ||
| Ti Amo | Francisco Garcia | A Major | 4 | 11B | 103 BPM | ||
| Morning Has Broken | Johnny Pearson and His Orchestra | C Major | 2 | 8B | 143 BPM | ||
| Perfect Day | Roman Jameson | B♭ Major | 0 | 6B | 144 BPM | ||
| Vows | Ernesto Cortazar III | A♭ Major | 2 | 4B | 87 BPM | ||
| Saving All My Love for You | Cantovano and His Orchestra | F♯ Minor | 5 | 11A | 105 BPM | ||
| And I Love Her | Giuseppe Sbernini | D♭ Major | 3 | 3B | 90 BPM | ||
| Sueño Imposible | Sergio Ortiz | C Major | 2 | 8B | 132 BPM | ||
| Lying Eyes | New Symphonic Orchestra | G Major | 6 | 9B | 130 BPM | ||
| Don't Cry For Me Argentina | Maria Saldo | A♭ Major | 2 | 4B | 127 BPM | ||
| Killing me Softly (lo-fi) | Alexandra Ilieva | G Major | 4 | 9B | 130 BPM | ||
| Debajo de la Mesa - Instrumentales | Richard Clay | C Major | 4 | 8B | 144 BPM | ||
| Right Here Waiting | Sax Gold | D Major | 4 | 10B | 138 BPM | ||
| How am I Supposed to Live Without You | John Warrington | B♭ Major | 4 | 6B | 144 BPM | ||
| La Gloria Eres Tu - Instrumental | Luis Siu Riveron | C Major | 3 | 8B | 112 BPM | ||
| My Once in a Lifetime | Ernesto Cortazar III | C Minor | 5 | 5A | 182 BPM | ||
| I Will Always Love You | SaxAndViolin | C Minor | 8 | 5A | 152 BPM | ||
| Father and Son | The Marco Phillipe Orchestra | E♭ Major | 3 | 5B | 144 BPM | ||
| Cherish | Sergio Mella | B♭ Minor | 6 | 3A | 92 BPM | ||
| Cuando Vuelva a Tu Lado / Sabor a Mi - Instrumental | Luis Siu Riveron | C Major | 3 | 8B | 108 BPM | ||
| How Deep Is Your Love | Harry Watson | F Minor | 4 | 4A | 102 BPM | ||
| I Will Always Love You | John Warrington | A♭ Major | 2 | 4B | 128 BPM | ||
| When You Tell Me That You Love Me | Phillip La Grande | A♭ Major | 4 | 4B | 82 BPM |