On January 1, 1958, the song "Dil Tadap Tadap Ke Kah Raha" was released by Mukesh, Lata Mangeshkar, Salil Chowdhury. The duration of This song is about 3 minutes long, at 3:27. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Salil Chowdhury's "Madhumati" album is number 4 out of 11. On top of that, India appears to be the country where this track was created. Based on our statistics, Dil Tadap Tadap Ke Kah Raha's popularity is average in popularity right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Dil Tadap Tadap Ke Kah Raha by Mukesh, Lata Mangeshkar, Salil Chowdhury to be Allegro (fast, quick, and bright) because the track has a tempo of 151 BPM, a half-time of 76BPM, and a double-time of 302 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, running, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Laila O Laila - From "Qurbani" | Kanchan, Amit Kumar | G Minor | 5 | 6A | 133 BPM | ||
| Saathiya Tune Kya Kiya | S. P. Balasubrahmanyam, K. S. Chithra | B Major | 7 | 1B | 93 BPM | ||
| Jhooti Mooti Mitwa Aawan Bole | Bhupen Hazarika, Lata Mangeshkar | D♭ Major | 8 | 3B | 105 BPM | ||
| O Mere Majhi Mere Sajan Hai | S. D. Burman | B Major | 3 | 1B | 134 BPM | ||
| Suno Sajna Papihe Ne Kaha (From "Aaye Din Bahar Ke") | Tabassum, Lata Mangeshkar | E Major | 6 | 12B | 91 BPM | ||
| Main Shair To Nahin | Shailendra Singh, Laxmikant–Pyarelal | E Minor | 5 | 9A | 144 BPM | ||
| Ek Bangla Bane Nyara | K. L. Saigal | E♭ Major | 4 | 5B | 107 BPM | ||
| Yari Hai Imaan Mera | Manna Dey, Kalyanji-Anandji | A♭ Major | 5 | 4B | 106 BPM | ||
| Saiyan Dil Mein Aana Re | Shamshad Begum | C Major | 4 | 8B | 103 BPM | ||
| Saphal Hogi Teri Aradhana | S. D. Burman | F Major | 2 | 7B | 111 BPM | ||
| Duniya Kisi Ke Pyar Mein | Mehdi Hassan | D♭ Major | 3 | 3B | 93 BPM | ||
| Chitthi Aai Hai | Pankaj Udhas, Laxmikant–Pyarelal | C Major | 7 | 8B | 83 BPM | ||
| Tumhein Geeton Mein Dhalonga | Jaspal Singh, Kalyani Mitra | A Major | 6 | 11B | 92 BPM | ||
| Zindagi Pyar Ki Do Char Ghadi | Hemant Kumar | E Major | 2 | 12B | 112 BPM | ||
| Tu Pyar Ka Sagar Hai | Manna Dey | E♭ Minor | 3 | 2A | 97 BPM | ||
| Koi Sone Ke Dilwala | Mohammed Rafi, Salil Chowdhury | A♭ Major | 6 | 4B | 102 BPM | ||
| Zindagi Jab Bhi | Talat Aziz | F Minor | 2 | 4A | 78 BPM | ||
| Kahan Se Aaye Badra | Haimanti Sukla, K. J. Yesudas | D♭ Minor | 4 | 12A | 86 BPM | ||
| Mere Piya Gaye Rangoon | Shamshad Begum, C. Ramchandra | D Major | 7 | 10B | 143 BPM | ||
| Ae Dil Mujhe Bata De | Geeta Dutt | D Major | 6 | 10B | 87 BPM | ||
| Surmayee Ankhiyon Mein - Happy Version | Ilaiyaraaja, K. J. Yesudas | F♯ Minor | 4 | 11A | 96 BPM | ||
| Chaupayan (Ramayan) | Jaspal Singh | D♭ Minor | 5 | 12A | 79 BPM | ||
| Phool Tumhe Bheja Hai Khat Mein | Lata Mangeshkar, Mukesh, Kalyanji-Anandji | F♯ Major | 5 | 2B | 93 BPM | ||
| Sajan Re Jhoot Mat Bolo | Mukesh | C Minor | 4 | 5A | 155 BPM | ||
| Yaar Bina Chain Kanha Ray | Bappi Lahiri, S. Janaki | E Major | 5 | 12B | 131 BPM |