"Stockholm by Night" by Benny Andersson, Orsa Spelmän had its release date on January 1, 1989. The duration of This song is about two minutes long, specifically at 2:57. This song does not appear to have any foul language. Stockholm by Night's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 11 in the song's album "November 1989". In this album, this song's track order is #11. Furthermore, we believe that the track originated from Sweden. Stockholm by Night is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Stockholm by Night by Benny Andersson, Orsa Spelmän having a BPM of 75 with a half-time of 38 BPM and a double-time of 150 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| With You | Matthew James Thomas | B Major | 3 | 1B | 140 BPM | ||
| The Song That Goes Like This - Original Broadway Cast Recording: "Spamalot" | Christopher Sieber, Sara Ramirez | F Major | 7 | 7B | 181 BPM | ||
| We Are What We Are | Kelsey Grammer | D♭ Minor | 3 | 12A | 123 BPM | ||
| Hur tror du att det känns | Anders Ekborg | D♭ Major | 3 | 3B | 125 BPM | ||
| Mountain Duet | Tommy Körberg, Elaine Paige | C Major | 2 | 8B | 171 BPM | ||
| Glöm mig om du kan | Per Myrberg | A Major | 1 | 11B | 83 BPM | ||
| When I Have Sung My Songs to You | Meryl Streep, London Metropolitan Orchestra, Terry Davies | F Major | 1 | 7B | 76 BPM | ||
| Who Will Buy? | Gregory Bradley, The "Oliver! 1994" Company | C Minor | 1 | 5A | 79 BPM | ||
| I Do, I Do, I Do, I Do, I Do - 1999 / Musical "Mamma Mia" | Benny Andersson, Björn Ulvaeus, Stig Anderson, Hilton McRae, Siobhan McCarthy | C Major | 6 | 8B | 107 BPM | ||
| Skater's Waltz | Norddeutsche Philharmonie Symphony | D Major | 2 | 10B | 105 BPM | ||
| Consider Yourself | Adam Searles, Gregory Bradley, The "Oliver! 1994" Company | C Major | 3 | 8B | 134 BPM | ||
| Flickornas Rum | Benny Andersson | D Major | 2 | 10B | 77 BPM | ||
| Elizabethan Serenade | Ronald Binge, Slovak Radio Symphony Orchestra, Ernest Tomlinson | F Major | 0 | 7B | 149 BPM | ||
| Rekviem | Swedish Radio Symphony Orchestra | F Major | 1 | 7B | 67 BPM | ||
| Schönberg, Claude-Michel: I Dreamed a Dream (from "Les Misérables") | Lesley Garrett, Philip Ellis | A♭ Major | 2 | 4B | 89 BPM | ||
| Den tid jag har | Philip Jalmelid | B♭ Major | 3 | 6B | 79 BPM | ||
| LET THE RIVER RUN | The Starlite Orchestra & Singers | G Major | 5 | 9B | 91 BPM | ||
| Ich hätt' getanzt heut' Nacht | Hamburg Radio Dance Orchestra | C Major | 3 | 8B | 81 BPM | ||
| VIENNA | Robert Wells, Erik Arvinder, Stockholm Concert Orchestra, Stockholm Studio Orchestra | C Major | 3 | 8B | 130 BPM | ||
| Carmen Suite: Entr'acte 2 (Arr. by Jan Valta) | Georges Bizet, Marc Reift, Philharmonic Wind Orchestra, Marc Reift Orchestra | B♭ Major | 4 | 6B | 70 BPM | ||
| One Day More | "Les Misérables Original London Cast" Ensemble | A Major | 5 | 11B | 79 BPM | ||
| Overture / Prologue - 1999 / Musical "Mamma Mia" | Unknown, Lisa Stokke | D♭ Major | 4 | 3B | 128 BPM | ||
| Fråga Arne | Björn Kjellman, Så som i Himmelen Ensemblen | A Major | 8 | 11B | 146 BPM | ||
| Ribbons Down My Back | Kate Baldwin | D Minor | 1 | 7A | 71 BPM | ||
| Like An Angel Passing Through My Room | ABBA | F Major | 0 | 7B | 107 BPM |