"Encore - Live" by Robert John Godfrey, The Enid had its release date on September 4, 2015. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 17 in the song's album "The Bridge Show, Live at Union Chapel". In this album, this song's track order is #8. Based on our statistics, Encore - Live's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Encore - Live by Robert John Godfrey, The Enid having a BPM of 129 with a half-time of 64 BPM and a double-time of 258 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Sin Bajar Los Brazos | Las Guerreras | B♭ Minor | 1 | 3A | 101 BPM | ||
| In the Pay of Spain | Andrew Giddings, Ian Anderson, Ian Anderson/Andrew Giddings | A Minor | 3 | 8A | 117 BPM | ||
| Secretos por Confesar | Ninfas De Ultramar | D Minor | 1 | 7A | 77 BPM | ||
| Sensaciones Diferentes | Las Guerreras | D Minor | 0 | 7A | 119 BPM | ||
| Shift | Nereano | F Minor | 2 | 4A | 59 BPM | ||
| Wanderungen | Andreas Vollenweider, Isabel Gehweiler | F Major | 1 | 7B | 61 BPM | ||
| screens aglow | TOM AVA | E Major | 4 | 12B | 120 BPM | ||
| Sensaciones Globales | Ninfas De Ultramar | E Major | 2 | 12B | 90 BPM | ||
| Vagrant | Keith Emerson | E♭ Major | 3 | 5B | 103 BPM | ||
| Hairless Heart - 2007 Stereo Mix | Genesis | B♭ Major | 4 | 6B | 121 BPM | ||
| Nefeli (Arr. for Circular Flutes, Harp and Electronics by Claudio Ferrarini) | Ludovico Einaudi, Claudio Ferrarini | B♭ Major | 0 | 6B | 73 BPM | ||
| After The Last Battle | Gino Vannelli | E♭ Minor | 1 | 2A | 84 BPM | ||
| John Nineteen: Forty-One - From "Jesus Christ Superstar" Soundtrack | André Previn | F Major | 1 | 7B | 88 BPM | ||
| Lineas De Defensa | Los Triunfadores | A Minor | 3 | 8A | 108 BPM | ||
| Anderson: In Sight of the Minaret (Orch. Ian Anderson and Andrew Giddings) | Andrew Giddings, Ian Anderson, Ian Anderson/Andrew Giddings | E Minor | 3 | 9A | 139 BPM | ||
| Sombras Tenebrosas | Las Eternas | D♭ Major | 3 | 3B | 64 BPM | ||
| Project Mars | Robert John Godfrey, The Enid | B♭ Minor | 2 | 3A | 70 BPM | ||
| Ripples on the Water | Kayak | D Minor | 2 | 7A | 120 BPM | ||
| So Long Ago, So Clear | Jon Anderson, Vangelis | D♭ Major | 2 | 3B | 85 BPM | ||
| Prelude To Earthrise | L'Orchestre Electronique | F Major | 2 | 7B | 75 BPM | ||
| Satie / Arr. Barker & Balsom: 3 Gymnopédies: No. 3, Lent et grave | Erik Satie, Alison Balsom, Guy Barker, Guy Barker Orchestra | A Minor | 2 | 8A | 78 BPM | ||
| F Sharp | Anthony Phillips | B Minor | 3 | 10A | 120 BPM | ||
| Still Matter | Aelvon Rii | B♭ Major | 0 | 6B | 73 BPM | ||
| The Road Is Long and Lonely | Dick Le Mair | D♭ Major | 2 | 3B | 80 BPM | ||
| Adante | Sky | E Minor | 2 | 9A | 107 BPM |