"Cadenza" by Elisabeth Klinck had its release date on June 6, 2025. The duration of This song is about two minutes long, specifically at 2:41. This song does not appear to have any foul language. Cadenza's duration is considered a little bit shorter than the average duration of a typical track. The song is number 8 out of 11 in Chronotopia by Elisabeth Klinck. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Cadenza is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Cadenza by Elisabeth Klinck is Andante (at a walking pace), since this song has a tempo of 84 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 1/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Double Sword | Kim Hiorthøy | A Minor | 1 | 8A | 106 BPM | ||
| Mindless Humming | Elisabeth Klinck, Nils Vermeulen | B Minor | 2 | 10A | 62 BPM | ||
| we overflow the streets and squares like the sea in a spring tide... and that very instant the tyrants of the Earth shall bite the dust | Tashi Dorji | B Minor | 2 | 10A | 62 BPM | ||
| stitch | KMRU | E♭ Major | 1 | 5B | 63 BPM | ||
| Difficoltà con il rosso | Teho Teardo | A Major | 3 | 11B | 64 BPM | ||
| Okt I | Girls in Airports, Halvcirkel | F♯ Minor | 0 | 11A | 129 BPM | ||
| Afterwards | Jim Jarmusch, Anika | E Major | 1 | 12B | 70 BPM | ||
| A Sutra | David Shea | B Minor | 2 | 10A | 62 BPM | ||
| Cocoon | Elisabeth Klinck, Nils Vermeulen | B Minor | 2 | 10A | 62 BPM | ||
| Bright Edge Deep: The Block Split | Sarah Neutkens, Alma Quartet Amsterdam | A Minor | 1 | 8A | 80 BPM | ||
| Suspicious Commuter | Jonah Parzen-Johnson, Lau Nau | F Minor | 3 | 4A | 102 BPM | ||
| A Remembering | Rose Riebl, Haraldur Thrastarson | F Major | 0 | 7B | 69 BPM | ||
| At The Fire | Head On Stone | F Major | 3 | 7B | 117 BPM | ||
| Deepening Sea | K. Leimer | B Minor | 2 | 10A | 62 BPM | ||
| Irié | Koki Nakano | A Major | 8 | 11B | 96 BPM | ||
| King of Thieves | Shake Stew | B Minor | 2 | 10A | 62 BPM | ||
| The Three of Us, Floating | Adam O'Farrill | B Minor | 2 | 10A | 62 BPM | ||
| Press One | Jack Sheen, Apartment House | B Minor | 2 | 10A | 62 BPM | ||
| The House | Hania Rani | B Minor | 2 | 10A | 62 BPM | ||
| Plenilunium | Katrine Grarup Elbo | A♭ Major | 3 | 4B | 113 BPM | ||
| Break The Cycle Of Sorrow | Rothko | A♭ Major | 1 | 4B | 73 BPM | ||
| Oíche Crua Sna Sléibhte | Seán Mac Erlaine, Caoimhín Ó Raghallaigh | G Major | 2 | 9B | 114 BPM | ||
| Égérie (Version for Flute and String Quintet) | JB Dunckel, Shuichi Okada, Cécile Tête, Grégoire Vecchioni, Cyrille Lacrouts, Wei-Yu Chang, Marie Laforge, Harry Allouche | B Minor | 2 | 10A | 62 BPM | ||
| Land Ends | Flaer | D Minor | 1 | 7A | 96 BPM | ||
| Mind by a Way | Jeremiah Chiu, Marta Sofia Honer | G Minor | 2 | 6A | 83 BPM |