Lambchop's ' "When You Were Mine" was released on its scheduled release date, January 25, 2017. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. Since When You Were Mine only contains only one song in the album, we like to consider this song as a single. Based on our data, Germany was the country where this track was produced or recorded. Based on our statistics, When You Were Mine's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
Since When You Were Mine by Lambchop has a tempo of 145 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With When You Were Mine being at 145 BPM, the half-time would be 72 BPM with a double-time of 290 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, jogging or cycling. The time signature for this track is 4/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| I Got Off the Bus | Richmond Fontaine | C Minor | 4 | 5A | 120 BPM | ||
| Track of the Time | Nadia Reid | F Major | 2 | 7B | 109 BPM | ||
| The Boat Is in the Barn | Grandaddy | E Major | 8 | 12B | 122 BPM | ||
| I Still Want You | Richard Hawley | B♭ Major | 2 | 6B | 162 BPM | ||
| The Only Living Boy in New York - Recorded at Spotify Studios NYC | Kishi Bashi | B♭ Major | 3 | 6B | 73 BPM | ||
| Lost Dreamers | Mutual Benefit | C Major | 3 | 8B | 136 BPM | ||
| I Don't Want To Grow Up - Recorded At Spotify Studios NYC | Broken Social Scene | D Major | 5 | 10B | 162 BPM | ||
| Lunar Days | The Clientele | A Major | 7 | 11B | 109 BPM | ||
| Lost my Head there | Kurt Vile | A Minor | 6 | 8A | 94 BPM | ||
| Tiny Tears | Tindersticks | E Minor | 2 | 9A | 153 BPM | ||
| Untogether | Courtney Barnett, Kurt Vile | A Major | 4 | 11B | 113 BPM | ||
| This Corrosion | Lambchop | C Major | 4 | 8B | 143 BPM | ||
| Don't You, Pt. 1 & 2 | Micah P. Hinson | E Major | 5 | 12B | 80 BPM | ||
| Around the Bend | Martha Wainwright | D Major | 4 | 10B | 81 BPM | ||
| Ohio | Lambchop | B♭ Minor | 3 | 3A | 112 BPM | ||
| Melin Wynt | King Creosote | E♭ Major | 7 | 5B | 144 BPM | ||
| To Be Without You | Ryan Adams | B♭ Major | 4 | 6B | 81 BPM | ||
| Jim Cain | Bill Callahan | D Major | 3 | 10B | 106 BPM | ||
| Art Lover | Lambchop | F Major | 3 | 7B | 136 BPM | ||
| Only Memories Remain | My Morning Jacket | F Major | 4 | 7B | 132 BPM | ||
| Dog | Nat Johnson | G Major | 2 | 9B | 134 BPM | ||
| Our Anniversary | Smog | F♯ Major | 5 | 2B | 95 BPM | ||
| Can We Really Party Today? | Jonathan Wilson | G Major | 3 | 9B | 126 BPM | ||
| He Didn't Mention His Mother | Eleanor Friedberger | G Major | 6 | 9B | 81 BPM | ||
| Tougher Than the Rest | Camera Obscura | D♭ Major | 5 | 3B | 103 BPM |