Ecos del Rocío's ' "Campesina y Marinera" was released on its scheduled release date, January 1, 2004. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 10 in the song's album "Palabras Sencillas". In this album, this song's track order is #3. Furthermore, we believe that the track originated from Spain. Based on our statistics, Campesina y Marinera's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Campesina y Marinera by Ecos del Rocío having a BPM of 156 with a half-time of 78 BPM and a double-time of 312 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with running. The time signature for this track is 3/4.
A Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| A la Fuente | Salmarina | E Minor | 7 | 9A | 82 BPM | ||
| No hay quien te lleve | Así te Reza tu Pueblo | A♭ Major | 7 | 4B | 160 BPM | ||
| Con el Tiempo Ten Cuidao / Con el Tiempo Ten Cuidao / La Peregrina | Una noche del camino | A♭ Minor | 4 | 1A | 129 BPM | ||
| Es Mi Madre | Manuel Orta | G Minor | 7 | 6A | 148 BPM | ||
| A la Voz de Almonte | Pitu | A♭ Minor | 6 | 1A | 146 BPM | ||
| El fandango y la jarana | Albahaca | G Major | 7 | 9B | 127 BPM | ||
| Quien no haya visto la aldea | Aires del Camino | A♭ Major | 7 | 4B | 160 BPM | ||
| Rociero por Derecho | Menta y Romero | F♯ Minor | 4 | 11A | 134 BPM | ||
| Mi Huelva Tiene una Ría | Requiebros | D♭ Major | 6 | 3B | 122 BPM | ||
| Huelva Es Como una Barquilla | Manguara | E♭ Minor | 5 | 2A | 152 BPM | ||
| Brisa Marismeña | Coro de La Hermandad del Rocío de La Puebla del Río | D Major | 6 | 10B | 97 BPM | ||
| Se Llama Rocío | Brumas, Paco Coria | F♯ Minor | 5 | 11A | 80 BPM | ||
| Un Te Quiero Pa Mi Madre - Sevillanas | Requiebros, Antonio y José | B Minor | 7 | 10A | 160 BPM | ||
| El Rocio no acaba. | Senderos | A♭ Major | 7 | 4B | 160 BPM | ||
| Dices Que Te Vas / y Se Amaron Dos Caballos / Llama Cuando Quieras / Entre Triana y Sevilla / Vive Frente a Mi Casa / Carmen la de Triana / la Vuelta del Camino / por la Mañana | Plaza Nueva | C Major | 7 | 8B | 184 BPM | ||
| Manue | Ecos del Rocío | F♯ Minor | 6 | 11A | 52 BPM | ||
| Cuando te rezo Rocío | María de la Colina | F♯ Minor | 7 | 11A | 150 BPM | ||
| Señora | Marisol Bizcocho | A♭ Minor | 3 | 1A | 141 BPM | ||
| Tengo un Amigo del Alma / una Paloma Bajó / una Pará en el Camino / No Te Hagas Ilusiones / una Niña Que Bailaba / Silencio / Anglo-hispano Es Mi Caballo / Soñó la Flor de la Jara | Plaza Nueva | G Major | 7 | 9B | 92 BPM | ||
| Y No Se Acuerda | Ecos del Rocío | D♭ Minor | 6 | 12A | 144 BPM | ||
| Herencia | Rafael del Estad | E Major | 5 | 12B | 155 BPM | ||
| Mi abuela a mí me contaba | Senderos, Menta y Romero, Lubrican | A♭ Major | 7 | 4B | 160 BPM | ||
| Dos Cariños a la Vez | Ecos del Rocío | F♯ Minor | 6 | 11A | 52 BPM | ||
| Borrachera de Luz / Mi Medalla Rociera / Madre de los Rocieros / Bougambilla | Una noche del camino | A Minor | 4 | 8A | 139 BPM | ||
| Rocío bendito | Rafael Medina | A♭ Minor | 6 | 1A | 99 BPM |