- BPM
- 79
- Key
- A Minor
- Camelot
- 8A
Oh! Weep for Those (Arr. Isserlis) by Isaac Nathan, Steven Isserlis, Connie Shih Song Details
"Oh! Weep for Those (Arr. Isserlis)" by Isaac Nathan, Steven Isserlis, Connie Shih had its release date on November 4, 2022. With this song being around four minutes long, at 3:32, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 13 out of 13 in A Golden Cello Decade, 1878-1888: Dvořák, R. Strauss, Bruch, Le Beau by Steven Isserlis, Connie Shih. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Oh! Weep for Those (Arr. Isserlis) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
The tempo marking of Oh! Weep for Those (Arr. Isserlis) by Isaac Nathan, Steven Isserlis, Connie Shih is Andante (at a walking pace), since this song has a tempo of 79 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
Music Key
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 17%
- Loudness
- -28.192 dB
- Acousticness
- 99%
- Danceability
- 16%
- Energy
- 2%
- Instrumentalness
- 38%
- Liveness
- 9%
- Loudness
- 53%
- Speechiness
- 5%
- Valence
- 5%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | 3 Romances for Violin and Piano, Op. 22: II. Allegretto: Mit zartem Vortrage | Clara Schumann, Koji Morishita | G Major | 1 | 9B | 104 BPM | |
 | Quatre Pièces romantiques, Op. 30: III. Berceuse | Charlotte Sohy, Marie Vermeulin | F Minor | 0 | 4A | 62 BPM | |
 | Cello Sonata in E Minor, RV 40 - Arr. Bazelaire for Cello and Orchestra: IV. Vivo | Antonio Vivaldi, Pierre Fournier, Stuttgart Chamber Orchestra, Karl Münchinger | E Minor | 1 | 9A | 109 BPM | |
 | Du bist wie eine Blume (From Myrthen Op. 25, Arr. For Cello and Piano by Simon Velthuis) | Robert Schumann, Simon Velthuis | A♭ Major | 0 | 4B | 94 BPM | |
 | Dans un Rêve: I. Allegretto | Marie Jaëll, Manon Galy, Heloïse Luzzati, Célia Oneto Bensaid | D♭ Minor | 2 | 12A | 132 BPM | |
 | String Quartet No. 2, Op. 147: VII. Hymn | Alan Hovhaness, Shanghai Quartet | C Major | 0 | 8B | 95 BPM | |
 | Cello Sonata in C Minor, G. 2: II. Largo | Luigi Boccherini, Steven Isserlis, Maggie Cole | C Minor | 1 | 5A | 89 BPM | |
 | Prelude in B Minor (After Bach's Prelude BWV 855a) | Johann Sebastian Bach, Alexander Siloti, Alexander Gadjiev | C Major | 2 | 8B | 102 BPM | |
 | 5 Short Pieces: No. 5, A Sunday Evening in Autumn | Francis Purcell Warren, Steven Isserlis, Stephen Hough | A Major | 0 | 11B | 68 BPM | |
 | Ludvig's Dreams (Domestic) | Ola Kvernberg | E Major | 1 | 12B | 83 BPM | |
 | Sonata in G Minor for Cello and Piano, Op. 19: III. Andante | Sergei Rachmaninoff, Pablo Ferrandez, Denis Kozhukhin | E♭ Major | 0 | 5B | 87 BPM | |
 | Duo Concertant, K054: V. Dithyrambe | Igor Stravinsky, Tamsin Waley-Cohen, Huw Watkins | E Major | 1 | 12B | 83 BPM | |
 | Comme une danse (After Tieteberga, RV 737, Sento in seno) | Antonio Vivaldi, Sonia Wieder-Atherton | E Minor | 0 | 9A | 91 BPM | |
 | Larghetto | Victoria Yagling, Raphaela Gromes, Julian Riem | A Minor | 1 | 8A | 69 BPM | |
 | Le tempo qui n'est plus | Francis Pott, Duncan Honeybourne | A♭ Major | 0 | 4B | 68 BPM | |
 | 3 Romances, Op. 22: No. 1, Andante molto | Clara Schumann, Fabio Biondi, Luigi Di Llio | B♭ Major | 1 | 6B | 77 BPM | |
 | Nocturnes, Op. 62: II. Lento (Arr. for Cello & Piano by Julian Riem) | Frédéric Chopin, Olga Scheps, Raphaela Gromes | E Major | 1 | 12B | 86 BPM | |
 | PROLOGUE (Quasi Niente from Piano Sonata No. 1 in F Minor, Op. 6: IV. Funebre) | Julius Asal, Alexander Scriabin | B Minor | 0 | 10A | 69 BPM | |
 | "Kol Nidrei" Adagio for Cello and Orchestra, Op. 47: II. Un poco più animato | Max Bruch, Camille Thomas, Brussels Philharmonic, Mathieu Herzog | D Major | 1 | 10B | 92 BPM | |
 | Stille Musik: I. Walzer des Augenblicks | Valentin Silvestrov, Munich Chamber Orchestra | A Minor | 0 | 8A | 60 BPM | |
 | 3 Compositions for Violin and Piano, Op. 40: No. 2, Berceuse, Op. 40: No. 2, Berceuse | Amy Beach, Alessandro Clerici, Elena Brunello | D Major | 0 | 10B | 73 BPM | |
 | La finta giardiniera, K. 196: Cavatina. Geme la tortorella (Arr. Isserlis for Cello and Orchestra) | Wolfgang Amadeus Mozart, Steven Isserlis, The Deutsche Kammerphilharmonie Bremen | A Major | 2 | 11B | 93 BPM | |
 | Cello Concerto in F Major: III. Andantino sostenuto | Marie Jaell, Raphaela Gromes, Deutsches Symphonie-Orchester Berlin, Anna Rakitina | F Major | 4 | 7B | 89 BPM | |
 | Cello Sonata in B-Flat Major, Op. 46: 2. Andante sostenuto | Louise Farrenc, David Berlin, Benjamin Martin | A♭ Major | 0 | 4B | 65 BPM | |
 | Amy Beach: 3 Browning Songs, Op. 44, No. 3: I Send My Heart up to Thee! (Arr. for Cello & Piano by Julian Riem) | Amy Beach, Raphaela Gromes, Olga Scheps | D♭ Major | 0 | 3B | 68 BPM |
- ISRC
- GBAJY2239413
- Label
- L-M Records/RCA Records