"The Hills Have Ears" by Silent Witness, Break had its release date on October 22, 2012. This song is about six minutes long, preciously at 5:33, making this song fairly long compared to other songs. There are a total of 12 in the song's album "The Other Side". In this album, this song's track order is #8. Furthermore, we believe that the track originated from United Kingdom. The popularity of The Hills Have Ears is currently not that popular right now. Although the overall vibe is very danceable, it does project more negative sounds.
With The Hills Have Ears by Silent Witness, Break having a BPM of 174 with a half-time of 87 BPM and a double-time of 348 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
This song has a musical key of B♭ Minor. Which also means that the camelot key for this song is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| SICKNESS | Jhofre, Vicjoff | D Major | 9 | 10B | 174 BPM | ||
| Book the Face | King Pandore | B Minor | 8 | 10A | 174 BPM | ||
| Einde | Telomic | B Minor | 8 | 10A | 172 BPM | ||
| I Don't Wanna Wait | Rydemann | A♭ Major | 9 | 4B | 170 BPM | ||
| Weave - Remix | Simon Spatial | D♭ Major | 10 | 3B | 174 BPM | ||
| Tripwire | Rockwell | D♭ Minor | 9 | 12A | 170 BPM | ||
| Same Old Blues | Apex | D♭ Major | 10 | 3B | 172 BPM | ||
| Tric City | Data 3 | F Major | 8 | 7B | 174 BPM | ||
| Headlock | René LaVice | D♭ Minor | 7 | 12A | 172 BPM | ||
| Decoy | Stakka & Skynet | G Major | 9 | 9B | 173 BPM | ||
| Fortune Tells | Anile | G Minor | 8 | 6A | 174 BPM | ||
| Repeat Mode | BLACKY ON THE TRACK | D♭ Major | 10 | 3B | 174 BPM | ||
| Salt and Synth | DJ SCRACHY MUSIC | D♭ Major | 10 | 3B | 174 BPM | ||
| Hasta abajo | Even vox | D♭ Major | 10 | 3B | 174 BPM | ||
| Face Of God | Mythic Image | D♭ Major | 10 | 3B | 174 BPM | ||
| Baron's Court | Professeur HOB | G Major | 7 | 9B | 174 BPM | ||
| These Things VIP | Jubei, dBridge | G Major | 8 | 9B | 172 BPM | ||
| Give It Away | Survival, Silent Witness, Sara Mitra | E Minor | 9 | 9A | 172 BPM | ||
| Body Move | DJ Trace, Tactile | F♯ Minor | 10 | 11A | 174 BPM | ||
| Strobe Light | BLACKY ON THE TRACK | D♭ Major | 10 | 3B | 174 BPM | ||
| Changing Lights | Chimpo | D♭ Major | 10 | 3B | 174 BPM | ||
| Ramp | Counter Culture | D♭ Major | 10 | 3B | 174 BPM | ||
| Princess | Receptor | B Minor | 10 | 10A | 170 BPM | ||
| Ten Tonne | Chase, Status | G Major | 9 | 9B | 175 BPM | ||
| Round Table | Dawn Wall | G Major | 9 | 9B | 172 BPM |