We Are The Ocean's ' "Lucky Ones" was released on its scheduled release date, 2009. The duration of This song is about 3 minutes long, at 3:19. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 2 out of 23 in Cutting Our Teeth by We Are The Ocean. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. The popularity of Lucky Ones is currently not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
The tempo marking of Lucky Ones by We Are The Ocean is Presto (very, very fast), since this song has a tempo of 187 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
The music key of this track is D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Tears | Fort Hope | B♭ Minor | 7 | 3A | 125 BPM | ||
| My Temperature's Rising | The Audition | B Major | 9 | 1B | 137 BPM | ||
| Machine | We Are The Ocean | F♯ Minor | 10 | 11A | 98 BPM | ||
| Raining Excuses | A Loss For Words | A♭ Major | 10 | 4B | 150 BPM | ||
| Lemon Party | letlive. | B Major | 8 | 1B | 123 BPM | ||
| These Days I Have Nothing - Acoustic | We Are The Ocean | B Minor | 6 | 10A | 139 BPM | ||
| Roads | Rise To Remain | A♭ Major | 8 | 4B | 118 BPM | ||
| Little Miss Obvious | Her Bright Skies | D♭ Major | 9 | 3B | 160 BPM | ||
| Heartbreaking Son of a Bitch | Heaven's Basement | A Major | 10 | 11B | 162 BPM | ||
| Smiles All Round | Deaf Havana | D♭ Minor | 8 | 12A | 150 BPM | ||
| Walking Separate Ways | Conditions | F Minor | 10 | 4A | 185 BPM | ||
| Stay With Me | You Me At Six | D Minor | 8 | 7A | 142 BPM | ||
| Yes, I Was Drunk | Twin Atlantic | D Major | 9 | 10B | 150 BPM | ||
| Me vs. The World | Madina Lake | D Minor | 9 | 7A | 96 BPM | ||
| The Verge | There For Tomorrow | A♭ Major | 9 | 4B | 132 BPM | ||
| Children Of The Night | The Blackout | D♭ Minor | 9 | 12A | 104 BPM | ||
| No Tomorrow | Halfway to Okay | A♭ Major | 8 | 4B | 96 BPM | ||
| Time for You to Stand Up | Twin Atlantic | G Major | 9 | 9B | 173 BPM | ||
| Broken Promises | Moments In Grace | B♭ Major | 10 | 6B | 145 BPM | ||
| Magazines | The Automatic | B♭ Minor | 9 | 3A | 151 BPM | ||
| Little White Lies (feat. Portia Conn) | Deaf Havana, Portia Conn | F Major | 9 | 7B | 154 BPM | ||
| Caribbean War Syndrome | Twin Atlantic | F♯ Minor | 8 | 11A | 145 BPM | ||
| The Best Is yet to Come | Kids In Glass Houses | D Major | 10 | 10B | 160 BPM | ||
| Pass Me By | We Are The Ocean | F♯ Minor | 10 | 11A | 98 BPM | ||
| Right Now | Not Advised | F Major | 10 | 7B | 175 BPM |