"Pines Of Rome, P. 141: 3. The Pines Of The Janiculum" by Ottorino Respighi, Berliner Philharmoniker, Herbert von Karajan had its release date on January 1, 1996. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 18 in the song's album "Respighi: The Fountains of Rome; The Pines of Rome; Ancient Airs and Dances - Suite III / Boccherini: Quintettino / Albinoni: Adagio in G Minor". In this album, this song's track order is #7. Pines Of Rome, P. 141: 3. The Pines Of The Janiculum is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Pines Of Rome, P. 141: 3. The Pines Of The Janiculum by Ottorino Respighi, Berliner Philharmoniker, Herbert von Karajan having a BPM of 84 with a half-time of 42 BPM and a double-time of 168 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Symphony No. 1 in E Minor, Op. 39: III. Scherzo. Allegro | Jean Sibelius, Berliner Philharmoniker, Sir Simon Rattle | D Minor | 0 | 7A | 126 BPM | ||
| Romeo and Juliet Suite No. 2, Op. 64ter: III. Friar Laurence (Live) | Sergei Prokofiev, Riccardo Muti, Chicago Symphony Orchestra | F Major | 0 | 7B | 104 BPM | ||
| Cello Concerto In B Minor, Op. 104, B. 191: I. Allegro | Antonín Dvořák, Mstislav Rostropovich, Berliner Philharmoniker, Herbert von Karajan | D Major | 1 | 10B | 121 BPM | ||
| Nabucco: Overture | Giuseppe Verdi, Berliner Philharmoniker, Claudio Abbado | F Major | 2 | 7B | 100 BPM | ||
| Gli uccelli (The Birds), P. 154: V. Il cucu. Allegro | Ottorino Respighi, Chamber Orchestra of New York, Salvatore Di Vittorio | A Major | 1 | 11B | 181 BPM | ||
| Capriol Suite: 5. Pied-en- l'air | Peter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville Marriner | G Major | 1 | 9B | 113 BPM | ||
| Introduction And Allegro For Harp, String Quartet, Flute And Clarinet | Maurice Ravel, Nash Ensemble, Skaila Kanga, Philippa Davies, Michael Collins | E♭ Minor | 1 | 2A | 70 BPM | ||
| Symphony No. 1 in D Major: III. Feierlich und gemessen, ohne zu schleppen - Live | Gustav Mahler, Berliner Philharmoniker, Claudio Abbado | G Minor | 0 | 6A | 56 BPM | ||
| Symphony No. 9 in E-Flat Major, Op. 70: II. Moderato | Dmitri Shostakovich, Berliner Philharmoniker, Kirill Petrenko | B♭ Minor | 2 | 3A | 122 BPM | ||
| Mahler: Symphony No. 2 in C Minor "Resurrection": V. (a) Im Tempo des Scherzos. Wild herausfahrend | Gustav Mahler, Sir Simon Rattle, Berliner Philharmoniker | D♭ Major | 0 | 3B | 61 BPM | ||
| Feste romane (Roman Festivals): IV. La Befana | Ottorino Respighi, Riccardo Muti, Philadelphia Orchestra | D Major | 6 | 10B | 104 BPM | ||
| Symphony No. 7 in E Minor: III. Scherzo. Schattenhaft – Trio | Gustav Mahler, Berliner Philharmoniker, Sir Simon Rattle | G Minor | 0 | 6A | 91 BPM | ||
| 3 Chorales, P. 167: No. 3, Andante (After J.S. Bach's BWV 645) | Ottorino Respighi, Seattle Symphony Orchestra, Gerard Schwarz | E♭ Major | 0 | 5B | 84 BPM | ||
| Cello Concerto in B Minor, Op. 104, B. 191: III. Finale. Allegro moderato | Antonín Dvořák, Mstislav Rostropovich, Berliner Philharmoniker, Herbert von Karajan | G Major | 1 | 9B | 84 BPM | ||
| Symphony No. 3 In C Minor, Op. 78 "Organ Symphony": 2. Allegro moderato - Presto - Allegro moderato - Maestoso - Più allegro - Molto allegro | Camille Saint-Saëns, Simon Preston, Berliner Philharmoniker, James Levine | F Minor | 2 | 4A | 117 BPM | ||
| Piano Concerto in A minor, Op. 16: II. Adagio | Edvard Grieg, Krystian Zimerman, Berliner Philharmoniker, Herbert von Karajan | D♭ Major | 0 | 3B | 77 BPM | ||
| Aleko: Intermezzo | Sergei Rachmaninoff, Berliner Philharmoniker, Lorin Maazel | B♭ Major | 0 | 6B | 90 BPM | ||
| Serenade for Strings in E Minor, Op. 20: II. Larghetto | Edward Elgar, Orpheus Chamber Orchestra | A Minor | 1 | 8A | 109 BPM | ||
| The Planets - Suite for large orchestra, Op.32: II. Venus, the Bringer of Peace (Adagio) | Gustav Holst, Sir Simon Rattle, Berliner Philharmoniker | F Minor | 0 | 4A | 62 BPM | ||
| Lohengrin, Act I: Prelude | Richard Wagner, Berliner Philharmoniker, Rafael Kubelík | B Major | 1 | 1B | 81 BPM | ||
| Symphony No. 3 in C Major, Op. 52: II. Andantino con moto, quasi allegretto - Un pocchettino con moto - Tempo primo | Jean Sibelius, Berliner Philharmoniker, Sir Simon Rattle | A♭ Minor | 0 | 1A | 136 BPM | ||
| Pelléas et Mélisande, Op.80: 2. Fileuse. Andantino quasi Allegretto | Gabriel Fauré, Boston Symphony Orchestra, Seiji Ozawa | G Major | 1 | 9B | 88 BPM | ||
| Symphony No. 2 in D Major, Op. 43: I. Allegretto | Jean Sibelius, Berliner Philharmoniker, Sir Simon Rattle | D Major | 1 | 10B | 117 BPM | ||
| Siegfried, WWV 86C, Act I: His Wanderings Through the Forest (Forest Murmurs) | Richard Wagner, Berliner Philharmoniker, Lorin Maazel | A Major | 0 | 11B | 67 BPM | ||
| Japanese Suite, Op. 33, H. 126: I. Prelude. Song of the Fisherman | Gustav Holst, Ulster Orchestra, Joann Falletta | C Minor | 3 | 5A | 103 BPM |