T. S. Aswini Sastry, T. S. Rohini Sastry's 'Arogyathayaka Adithya Sthavam' had a release date set for November 1, 2010. The duration of This song is about two minutes long, specifically at 2:37. This song does not appear to have any foul language. Arogyathayaka Adithya Sthavam's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 69 in the song's album "Navagraha Sthothras". In this album, this song's track order is #4. Furthermore, we believe that the track originated from India. Arogyathayaka Adithya Sthavam is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Arogyathayaka Adithya Sthavam by T. S. Aswini Sastry, T. S. Rohini Sastry having a BPM of 81 with a half-time of 40 BPM and a double-time of 162 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Buddhi Heena | Gayathri Girish, Team | F♯ Major | 4 | 2B | 105 BPM | ||
| Sri Kumara Upanishad Suktham | T. S. Aswini Sastry | C Major | 6 | 8B | 84 BPM | ||
| Bhagavad Gita - Dhyanaslokas | Swami Paramarthananda | G Major | 4 | 9B | 149 BPM | ||
| Rudri Path- Adhyay 9 | Divya Jyoti Jagrati Sansthan | A♭ Major | 5 | 4B | 141 BPM | ||
| Aanjaneyar Gayathri | Sivapuranam D. V. Ramani | F Major | 6 | 7B | 88 BPM | ||
| Thridhalam | Ramu | D♭ Major | 4 | 3B | 107 BPM | ||
| Vandepadam Paramanandamadvayam | Soumya Manoj | B Minor | 4 | 10A | 93 BPM | ||
| Navagragha Sukutham | Malola Kannan | D♭ Major | 4 | 3B | 150 BPM | ||
| Sri Amrutha Sanjeevana Dhanvantari Stothram | J. Bhakatavatsalam, Na | C Major | 5 | 8B | 143 BPM | ||
| Phaalaam | Suresam | D♭ Major | 1 | 3B | 115 BPM | ||
| Pitru Stotra | Mangesh Borgaonkar | F♯ Minor | 7 | 11A | 126 BPM | ||
| Narsingh Stotram | kartik ojha | B♭ Major | 4 | 6B | 183 BPM | ||
| Loka Veeram | T. S. Ranganathan | A Minor | 6 | 8A | 147 BPM | ||
| Sri Varahi Nigrahastakam | Bhandhavi | B♭ Minor | 7 | 3A | 112 BPM | ||
| Lakshmi Astothora Sathanama.Sto. | Srikanth Sharma | E Major | 3 | 12B | 78 BPM | ||
| Mahaalakshmi Ashtakam | M. S. Sheela | A Major | 4 | 11B | 135 BPM | ||
| Anantha Padmanabhaswamy Ashtottara Shata Namavalli | Veeramani Kannan | A Major | 4 | 11B | 94 BPM | ||
| Sri Adi Varahi Stotram | Bhandhavi | F♯ Minor | 9 | 11A | 115 BPM | ||
| Sri Durga Apadhudara Stotram | Puttur Narasimha Nayak, K M Kusuma | C Major | 5 | 8B | 135 BPM | ||
| Navaratnamala Stothram | T. S. Aswini Sastry, T. S. Rohini Sastry | B Major | 5 | 1B | 112 BPM | ||
| Bhagavad Gita Adhyay, Pt. 16 | Shrirang Bhave | G Minor | 1 | 6A | 104 BPM | ||
| Vak Sooktham | Yashasvi Ramakrishna Sharma, N. V. Krishnan, P. Krishnan | D Major | 3 | 10B | 114 BPM | ||
| Naaraayani Stuti | S.Prakash Kaushik | D Minor | 8 | 7A | 77 BPM | ||
| Laxmi Narasimha Stotram | Abhijeet Ghoshal | B Major | 4 | 1B | 100 BPM | ||
| Vaidika Raatree Sooktam | S.Prakash Kaushik | D♭ Major | 2 | 3B | 112 BPM |