"To Morgana" by Rob Lane had its release date on November 4, 2008. The duration of This song is about two minutes long, specifically at 2:30. This song does not appear to have any foul language. To Morgana's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Rob Lane's "Merlin (Original Television Soundtrack)" album is number 10 out of 18. In terms of popularity, To Morgana is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of To Morgana by Rob Lane to be Andante (at a walking pace) because the track has a tempo of 99 BPM, a half-time of 50BPM, and a double-time of 198 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Milk and Cookies | Christian Henson | G Minor | 0 | 6A | 152 BPM | ||
| Marguerite | George Fenton | B♭ Minor | 2 | 3A | 129 BPM | ||
| Curdled Cave | Thomas Newman | F Major | 1 | 7B | 98 BPM | ||
| Creating The Inn | Ilan Eshkeri, London Metropolitan Orchestra, Andy Brown | A♭ Major | 2 | 4B | 91 BPM | ||
| From Western Woods to Beaversdam | Harry Gregson-Williams | F Minor | 1 | 4A | 75 BPM | ||
| Etiquette Lessons | Geoff Zanelli | D Minor | 0 | 7A | 81 BPM | ||
| The World Was Full Of Wonder | Mychael Danna, Jeff Danna | E Major | 4 | 12B | 150 BPM | ||
| The Hopes of Spain | Chris Egan, Samuel Sim | F♯ Minor | 0 | 11A | 141 BPM | ||
| Flook | Steven Price | E Minor | 2 | 9A | 140 BPM | ||
| Joined Together | Rob Lane, Josephine Knight, The Chamber Orchestra Of London | A Minor | 2 | 8A | 164 BPM | ||
| The 5,000th Moon | Christian Henson | G Major | 1 | 9B | 122 BPM | ||
| Dolls | Samuel Sim | F♯ Minor | 1 | 11A | 97 BPM | ||
| The Burdens of Duty | Rob Lane | C Minor | 1 | 5A | 72 BPM | ||
| The Village | Neal Acree | E Minor | 1 | 9A | 100 BPM | ||
| The Mouse | Ilan Eshkeri, London Metropolitan Orchestra, Andy Brown | C Major | 0 | 8B | 53 BPM | ||
| The Fallen | The Chamber Orchestra Of London | B♭ Minor | 2 | 3A | 142 BPM | ||
| Cap'n' Shakespeare | Ilan Eshkeri, London Metropolitan Orchestra, Andy Brown | A Major | 3 | 11B | 182 BPM | ||
| Orlais Theme | Trevor Morris | D♭ Minor | 4 | 12A | 172 BPM | ||
| There's Something About Matthew | Rob Lane, The Chamber Orchestra Of London | G Minor | 0 | 6A | 68 BPM | ||
| Annabeth and the Fleece | Andrew Lockington, Tiff Randol, Nicholas Dodd | D Minor | 0 | 7A | 76 BPM | ||
| "A Good Man in the Dirt" | Thomas Newman, Thomas Bowes, London Voices, Ben Parry, Terry Edwards, Grace Davidson, George Doering, Phil Todd, Sonia Slany, Paul Clarvis, Nick Cooper, Andrew Cronshaw | G Minor | 1 | 6A | 151 BPM | ||
| Landing of the French | Marc Streitenfeld | A Minor | 5 | 8A | 185 BPM | ||
| The Proposal (Under The Horse Chestnut Tree) | Isobel Waller-Bridge, David Schweitzer | C Major | 1 | 8B | 85 BPM | ||
| The Ministry of Magic | Nicholas Hooper | A♭ Major | 0 | 4B | 85 BPM | ||
| Gwen & Arthur | Rob Lane | E♭ Minor | 0 | 2A | 68 BPM |