Rachael Yamagata's 'The Only Fault (Hidden Track)' had a release date set for October 6, 2008. With this song being around four minutes long, at 4:04, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 10 out of 15 in Elephants...Teeth Sinking Into Heart (Standard Version) by Rachael Yamagata. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. The Only Fault (Hidden Track) is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of The Only Fault (Hidden Track) by Rachael Yamagata is Adagio (slowly with great expression), since this song has a tempo of 75 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Monochromatic | Mary Lambert | C Major | 4 | 8B | 130 BPM | ||
| Uncomfortable (feat. Damien Rice) | Mélanie Laurent | C Minor | 1 | 5A | 91 BPM | ||
| The Reason Why | Rachael Yamagata | B♭ Major | 3 | 6B | 120 BPM | ||
| It's a Fine Day | Billie Marten | A♭ Major | 1 | 4B | 72 BPM | ||
| The Morning After | MEG MYERS | A Minor | 2 | 8A | 123 BPM | ||
| Are We Really Through (with The Pariah Dogs) | Ray LaMontagne, The Pariah Dogs | B Major | 1 | 1B | 129 BPM | ||
| Avalanches (Culla's Song) | A Fine Frenzy | D Major | 3 | 10B | 123 BPM | ||
| I Go To Sleep | Sia | F♯ Minor | 4 | 11A | 120 BPM | ||
| Some Kind of Window | Rachael Yamagata | E♭ Major | 2 | 5B | 131 BPM | ||
| Find a Place | Iko | A Major | 2 | 11B | 119 BPM | ||
| Everywhere I Go | Lissie | G Major | 2 | 9B | 93 BPM | ||
| Polyhymnia | Keaton Henson | D Major | 1 | 10B | 164 BPM | ||
| Dependable People And Things That I'm Sure Of | Slow Club | A Major | 1 | 11B | 143 BPM | ||
| One Moment More | Mindy Smith | A♭ Major | 1 | 4B | 116 BPM | ||
| Great American Novel | Max Jury | A♭ Minor | 2 | 1A | 64 BPM | ||
| The Dance (Acoustic Version) | Charlotte Martin | A♭ Major | 3 | 4B | 83 BPM | ||
| Heavenly Bodies | Douglas Dare, London Contemporary Orchestra | B♭ Minor | 0 | 3A | 124 BPM | ||
| The Dance | Charlotte Martin | F Minor | 5 | 4A | 175 BPM | ||
| Frost | Rachael Sage | C Major | 3 | 8B | 130 BPM | ||
| Spanish Doll | Poe | D♭ Minor | 5 | 12A | 147 BPM | ||
| Eli, Eli (A Walk To Caesarea) | Sophie Milman | C Minor | 1 | 5A | 127 BPM | ||
| In Love Again | Missy Higgins | A♭ Major | 2 | 4B | 153 BPM | ||
| Saturday Smile | Gin Wigmore | F Major | 3 | 7B | 144 BPM | ||
| Tore My Heart | Oona | F Minor | 6 | 4A | 76 BPM | ||
| Ghosts | Hayley Sales | C Minor | 2 | 5A | 97 BPM |