Dave Porter's 'Walls' had a release date set for May 13, 2022. This song is about six minutes long, preciously at 6:16, making this song fairly long compared to other songs. The song is number 7 out of 19 in Better Call Saul, Vol. 2 (Original Score from the TV Series) by Dave Porter. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Walls is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Walls by Dave Porter is Andante (at a walking pace), since this song has a tempo of 88 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Letting Go | Bear McCreary | G Minor | 1 | 6A | 81 BPM | ||
| Her Face | Nathan Johnson | C Major | 1 | 8B | 68 BPM | ||
| Nobody | David Buckley | D Major | 3 | 10B | 136 BPM | ||
| We'll live through the long, long days, and through the long nights (Oto) | Eiko Ishibashi | A♭ Major | 0 | 4B | 125 BPM | ||
| Instrument of Surrender | Sea Power | D Major | 2 | 10B | 76 BPM | ||
| 407.7 You Are The Storm | Mac Quayle | F Major | 3 | 7B | 94 BPM | ||
| Disco Elysium, Pt. 1 | Sea Power | F Major | 8 | 7B | 116 BPM | ||
| A Caper Story | Martin Landström | G Minor | 6 | 6A | 67 BPM | ||
| Flow Away | Gints Zilbalodis, Rihards Zalupe | D♭ Major | 2 | 3B | 120 BPM | ||
| Artifact | Ramin Djawadi | E Minor | 1 | 9A | 96 BPM | ||
| Main Titles - The Crowded Room | Trevor Gureckis | F Minor | 4 | 4A | 133 BPM | ||
| Work | Brooke Blair, Will Blair | C Major | 3 | 8B | 109 BPM | ||
| Ruse de Guerre | Chris Benstead, The Chamber Orchestra Of London, Tom Kilworth, Thomas Gould | D Major | 5 | 10B | 120 BPM | ||
| All the Answers | Ramin Djawadi | E Minor | 1 | 9A | 96 BPM | ||
| Jane’s Demise | Dave Porter | B♭ Minor | 0 | 3A | 143 BPM | ||
| A Quiet Family | Marco Beltrami | G Major | 1 | 9B | 61 BPM | ||
| Fleeting Joy | Colin Stetson, Woody Jackson | C Major | 5 | 8B | 110 BPM | ||
| Electromagnetic Spectrum | Rob Cairns | D♭ Major | 5 | 3B | 147 BPM | ||
| Belief | West Dylan Thordson | B♭ Major | 3 | 6B | 66 BPM | ||
| Origin Story | West Dylan Thordson | G Minor | 5 | 6A | 80 BPM | ||
| Back To Roslyn | Daniel Lopatin | D Major | 1 | 10B | 142 BPM | ||
| Best & Brightest, Pt. I | The Great Vorelli | F♯ Minor | 2 | 11A | 143 BPM | ||
| On Real Life | Disasterpeace | C Major | 1 | 8B | 144 BPM | ||
| Godzilla-1.0 Pain | Naoki Sato | A Minor | 1 | 8A | 108 BPM | ||
| Feeling the Heights | Amine Bouhafa | F Minor | 2 | 4A | 84 BPM |