Francesco Geminiani, Capella Istropolitana, Jaroslav Krcek's 'Concerto Grosso in D Minor, Op. 2, No. 5: I. Adagio' had a release date set for February 4, 1997. With This song being less than two minutes long, at 1:04, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Francesco Geminiani's "Geminiani: Concerti Grossi, Vol. 1" album is number 16 out of 38. On top of that, Hong Kong appears to be the country where this track was created. In terms of popularity, Concerto Grosso in D Minor, Op. 2, No. 5: I. Adagio is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Concerto Grosso in D Minor, Op. 2, No. 5: I. Adagio by Francesco Geminiani, Capella Istropolitana, Jaroslav Krcek to be Andante (at a walking pace) because the track has a tempo of 92 BPM, a half-time of 46BPM, and a double-time of 184 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Concerto grosso in C Minor Op. 6, No. 3: IV. Vivace | Arcangelo Corelli, Akademie für Alte Musik Berlin, Mayumi Hirasaki | D♭ Minor | 2 | 12A | 81 BPM | ||
| Ouverture in E Minor: VII. Gavotte en rondeau | Johann Bernhard Bach, L'Achéron, François Joubert-Caillet | D Minor | 2 | 7A | 98 BPM | ||
| Concerto in D Minor, Op. 6 No. 3: I. Largo andante | Charles Avison, Café Zimmermann | D♭ Minor | 0 | 12A | 119 BPM | ||
| Concerto Armonico No. 4 in G Major: Largo | Unico Wilhelm van Wassenaer, Aradia Ensemble, Kevin Mallon | D♭ Major | 1 | 3B | 96 BPM | ||
| Violin Sonata No. 6 in A Minor: I. Largo | Francesco Maria Veracini, Federico Guglielmo, L'Arte dell' Arco | B Major | 2 | 1B | 126 BPM | ||
| Mystery Sonata No. 7 "The Scourging at the Pillar": II. Sarab. Variation | Heinrich Ignaz Franz von Biber, Sirkka-Liisa Kaakinen-Pilch, Battalia | B Major | 0 | 1B | 97 BPM | ||
| Concerto for 2 Violins in D Minor, Op. 6, No. 10: I. Adagio | Giuseppe Torelli, Berliner Barock Compagney | F♯ Major | 2 | 2B | 103 BPM | ||
| Purcell, D: 6 Sonatas or Solos: Flute Sonata No. 2 in D Minor: I. Adagio | Daniel Purcell, Jean-Pierre Rampal, Robert Veyron-Lacroix | F Major | 2 | 7B | 68 BPM | ||
| Concerto In F Major for Soprano Recorder & Strings: Allegro assai | Thierry Perenoud, The Baroque Soloists Of Amsterdam | E Major | 1 | 12B | 109 BPM | ||
| Concerto Grosso in C Minor, Op. 1, No. 2: I. Adagio | Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek | C Minor | 3 | 5A | 155 BPM | ||
| Flute Sonata in E Minor, Op. 1 No. 1b, HWV 359b: II. Allegro | George Frideric Handel, Lisa Beznosiuk, Richard Tunnicliffe, Paul Nicholson | E♭ Minor | 1 | 2A | 121 BPM | ||
| Concerto Grosso in E Minor, Op. 3, No. 3: III. Adagio | Francesco Geminiani, Capella Istropolitana | E Minor | 0 | 9A | 142 BPM | ||
| Atys, LWV 53, Act III Scene 4: Prélude | Jean-Baptiste Lully, Leonardo García-Alarcón, Cappella Mediterranea | B♭ Major | 4 | 6B | 177 BPM | ||
| Concerto Grosso in E Minor, Op. 1, No. 4: I. Adagio | Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek | A Minor | 1 | 8A | 159 BPM | ||
| J.S. Bach: Goldberg Variations, BWV 988 (Arr. for Chamber Orchestra by Alexander Vittal): Var. 4 | Johann Sebastian Bach, Baroque Chamber Orchestra of Colorado, Cynthia Miller Freivogel | F♯ Major | 2 | 2B | 148 BPM | ||
| Concerto Grosso h-Moll, Op. 6, Nr. 12, HWV 330: 3. Larghetto, e piano - Variatio (Fluch der Karibik): I. Largo | George Frideric Handel, Capella Istropolitana, Jozef Kopelman | B Minor | 1 | 10A | 66 BPM | ||
| Concerto Grosso in G Minor, Op. 3, No. 10: I. Adagio | Francesco Onofrio Manfredini, Capella Istropolitana, Jaroslav Krcek | B♭ Major | 1 | 6B | 93 BPM | ||
| Leclair: Scylla et Glaucus, Op. 11, Prologue: Air gracieux | Jean-Marie Leclair, John Eliot Gardiner, English Baroque Soloists | A♭ Minor | 0 | 1A | 68 BPM | ||
| Overture in the French Style - Arr. for Two Oboes, Bassoon, Strings and Basso Continuo by Rinaldo Alessandrini | Rinaldo Alessandrini, Johann Sebastian Bach, Concerto Italiano | F♯ Major | 1 | 2B | 102 BPM | ||
| I - Grave from: Concerto No. 1 in f minor | Accademia Bizantina | E Minor | 1 | 9A | 108 BPM | ||
| Concerto Grosso In C Minor, Op. 6, No. 3 : I. Largo | Arcangelo Corelli, Ludovit Kanta, Anna Holbling, Quido Holbling, Daniela Ruso, Capella Istropolitana | C Minor | 1 | 5A | 92 BPM | ||
| Messa a 5 Concertata: I. Sinfonia avanti la Messa | Giovanni Paolo Colonna, Cappella Mediterranea, Leonardo García-Alarcón | E♭ Minor | 1 | 2A | 151 BPM | ||
| Concerto grosso No. 2 in G Major: II. Allegro (After D. Scarlatti) | Charles Avison, Avison Ensemble, Pavlo Beznosiuk | A♭ Major | 0 | 4B | 81 BPM | ||
| Concerto Armonico No. 4 in G Major: Da capella non presto | Unico Wilhelm van Wassenaer, Aradia Ensemble, Kevin Mallon | F♯ Major | 3 | 2B | 108 BPM | ||
| Piece for English Guitar in D Minor: No. 1, Andante - Allegro moderato | Francesco Geminiani, La Rêveuse, Florence Bolton, Benjamin Perrot | D♭ Minor | 1 | 12A | 112 BPM |