"Vermintide End Boss" by Jesper Kyd had its release date on October 18, 2019. The duration of This song is about two minutes long, specifically at 2:40. This song does not appear to have any foul language. Vermintide End Boss's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Warhammer: End Times - Vermintide (Original Soundtrack) by Jesper Kyd. The song's track number on the album is #16 out of 36 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. In terms of popularity, Vermintide End Boss is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since Vermintide End Boss by Jesper Kyd has a tempo of 98 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Vermintide End Boss being at 98 BPM, the half-time would be 49 BPM with a double-time of 196 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Frenzied Nemesis | Lies of P | E Major | 1 | 12B | 69 BPM | ||
| Howl Of The White Wolf | Adam Skorupa, Krzysztof Wierzynkiewicz | F Minor | 9 | 4A | 100 BPM | ||
| No Respite | Cliff Martinez | E Minor | 9 | 9A | 140 BPM | ||
| The Caverns of Crystalfen | Critical Role, Robert Wolf | C Major | 1 | 8B | 127 BPM | ||
| Surprise Ambush | Zac Tiessen, Yoed Nir | A♭ Major | 6 | 4B | 128 BPM | ||
| Let’s Get into Trouble | Digital Extremes Ltd., George Spanos | A Major | 7 | 11B | 130 BPM | ||
| Dancing With the Wolves | Travis Savoie | D Major | 5 | 10B | 150 BPM | ||
| Goblin Ambush | Lyre RPG Music | A Minor | 1 | 8A | 140 BPM | ||
| The Great Sleep Is Over | Pavel Lipski | D Major | 10 | 10B | 180 BPM | ||
| Onboard the Tancred Bastion | Jesper Kyd | F Major | 0 | 7B | 67 BPM | ||
| Chitinous Swarm | Steve Molitz | C Minor | 4 | 5A | 77 BPM | ||
| Dissident Hunters | Justin E. Bell | C Major | 8 | 8B | 98 BPM | ||
| Down the Dungeon | ASKII | F Major | 4 | 7B | 65 BPM | ||
| Cry of Heresy | Nima Fakhrara, Steve Molitz | G Major | 7 | 9B | 112 BPM | ||
| Enemy Within | Jamie Christopherson | D♭ Major | 8 | 3B | 80 BPM | ||
| Lost Soul | David García Díaz | G Minor | 6 | 6A | 127 BPM | ||
| Tenets of the Web | Nikolay Filipovich | B Minor | 4 | 10A | 69 BPM | ||
| Under Ice | Mark Morgan | A Minor | 3 | 8A | 128 BPM | ||
| Cyprus Ultima: Second Movement | Paul Leonard-Morgan | D♭ Major | 3 | 3B | 100 BPM | ||
| Tenebrarius | Dimitri De Alencar | D♭ Minor | 1 | 12A | 69 BPM | ||
| The Worms | Mickymar Productions Ltd | D Minor | 4 | 7A | 97 BPM | ||
| Metroplex - Gigamind | Michael McCann | D Major | 9 | 10B | 130 BPM | ||
| Deep Trouble | Midnight Syndicate | F Major | 5 | 7B | 120 BPM | ||
| Boarded | Pawel Perepelica | A Major | 8 | 11B | 75 BPM | ||
| Garoran | e.hillman | D♭ Major | 6 | 3B | 133 BPM |