"Favorite Love Theme From Tchaikovsky's Romeo And Juliet" by Ray Conniff had its release date on 1958. The duration of This song is about two minutes long, specifically at 2:40. This song does not appear to have any foul language. Favorite Love Theme From Tchaikovsky's Romeo And Juliet's duration is considered a little bit shorter than the average duration of a typical track. The song is number 6 out of 12 in Concert In Rhythm by Ray Conniff. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, Favorite Love Theme From Tchaikovsky's Romeo And Juliet is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Favorite Love Theme From Tchaikovsky's Romeo And Juliet by Ray Conniff is Moderato (at a moderate speed), since this song has a tempo of 109 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
This song has a musical key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Downtown | The Ray Conniff Singers | D Minor | 6 | 7A | 143 BPM | ||
| Green Leaves Of Summer | Nelson Riddle & His Orchestra | B♭ Minor | 3 | 3A | 108 BPM | ||
| Il | Franck Pourcel | C Major | 3 | 8B | 76 BPM | ||
| Volare | Tony Mottola | B♭ Minor | 3 | 3A | 108 BPM | ||
| Tracy's Theme | Billy Vaughn | C Major | 3 | 8B | 111 BPM | ||
| Somethin' Stupid | Ronnie Aldrich and his 2 pianos, London Festival Orchestra | F Major | 4 | 7B | 100 BPM | ||
| Violinista en el Tejado - Fiddler On The Roof | Pocho Perez Y Su Orquesta | F Major | 3 | 7B | 89 BPM | ||
| Never On Sunday | Ray Conniff | E Major | 5 | 12B | 117 BPM | ||
| Una Furtiva Lagrima | Asi Es El Beguine | B♭ Major | 5 | 6B | 120 BPM | ||
| Moon River | Mantovani & His Orchestra | C Major | 4 | 8B | 81 BPM | ||
| Midnight In Moscow | Al Caiola | C Minor | 5 | 5A | 169 BPM | ||
| Al Sur de la Frontera (South of the Border) | Pablo Beltran Ruiz Y Su Orquesta | A♭ Major | 7 | 4B | 134 BPM | ||
| Qué Tiempo Tan Feliz! | John Pazos and His Bolero Orchestra | G Minor | 6 | 6A | 85 BPM | ||
| La Boda De Luis Alonso | Los Churumbeles De España | E Major | 6 | 12B | 122 BPM | ||
| Michelle | 50 Guitars of Tommy Garrett | D Minor | 2 | 7A | 109 BPM | ||
| Stompin' At The Savoy | Ray Conniff | B♭ Major | 5 | 6B | 83 BPM | ||
| You Belong to My Heart = Solamente Una Vez | Carmen Cavallaro | G Major | 5 | 9B | 170 BPM | ||
| I LEFT MY HEART IN SAN FRANCISCO | Hugo Strasser und die Heinrich Haas jr. Combo | D♭ Major | 3 | 3B | 85 BPM | ||
| When the White Lilacs Bloom Again | Helmut Zacharias | B♭ Minor | 3 | 3A | 108 BPM | ||
| Mira Como Me Balanceo | Gustavo Pimentel | F Major | 7 | 7B | 146 BPM | ||
| La Alegre Divorciada - el Continental | Orquesta Kurt Zachary | B♭ Minor | 2 | 3A | 82 BPM | ||
| Slowfox: 30 Takte Pro Minute - Adios | Kurt Edelhagen | F Major | 5 | 7B | 120 BPM | ||
| Concierto para una sola voz | Robson Miguel y grupo | E Minor | 4 | 9A | 81 BPM | ||
| Harlem Español | Manuel Rodríguez y Orquesta | E Major | 4 | 12B | 113 BPM | ||
| You're My Everything - From "The Eddy Duchin Story" Soundtrack | Carmen Cavallaro | D♭ Major | 3 | 3B | 88 BPM |