James Newton Howard's 'Drone' had a release date set for July 31, 2012. With this song being around four minutes long, at 4:15, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 26 in the song's album "The Bourne Legacy (Original Motion Picture Soundtrack)". In this album, this song's track order is #2. Furthermore, we believe that the track originated from United States. In terms of popularity, Drone is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Drone by James Newton Howard having a BPM of 104 with a half-time of 52 BPM and a double-time of 208 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of B Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Land Of The Free | Trevor Morris | C Major | 2 | 8B | 67 BPM | ||
| Ascension of the Iron Skies | Adrian Valkor | G Minor | 4 | 6A | 130 BPM | ||
| My Number Is 47 | Geoff Zanelli | A Minor | 1 | 8A | 112 BPM | ||
| Origin Story | West Dylan Thordson | G Minor | 5 | 6A | 80 BPM | ||
| Mile 22 (Main Title) - Screen Version | Jeff Russo | B♭ Major | 1 | 6B | 80 BPM | ||
| BCR | Dominic Lewis | A Major | 3 | 11B | 144 BPM | ||
| Hotel Amari | Chris Benstead | D Major | 3 | 10B | 102 BPM | ||
| To Camp Four | Dario Marianelli | D Major | 2 | 10B | 140 BPM | ||
| Every Ending Has A Beginning | Tyler Bates, Joel J. Richard | D Major | 2 | 10B | 144 BPM | ||
| Main Titles | James Newton Howard | A♭ Major | 0 | 4B | 73 BPM | ||
| Flat Assault | John Powell, David Buckley | D♭ Major | 4 | 3B | 94 BPM | ||
| Do You Like Puzzles? | Mark Isham | D♭ Major | 0 | 3B | 162 BPM | ||
| Robert Gives Himself Up | Marcelo Zarvos | A Minor | 5 | 8A | 136 BPM | ||
| Night Manager Desk | Víctor Reyes | E Minor | 1 | 9A | 115 BPM | ||
| A Political Sickness | Ryan Amon | D♭ Major | 7 | 3B | 100 BPM | ||
| Run Londinium | Daniel Pemberton | D Major | 9 | 10B | 135 BPM | ||
| Somebody's Gonna Kiss The Donkey | Steve Jablonsky | D Major | 7 | 10B | 136 BPM | ||
| Hunt For Riddick | Graeme Revell | A♭ Major | 3 | 4B | 99 BPM | ||
| Body Heat | Harald Kloser | A Minor | 1 | 8A | 83 BPM | ||
| Drive To The Field | James Newton Howard | B Minor | 3 | 10A | 80 BPM | ||
| Second Regression | Jed Kurzel | D♭ Major | 5 | 3B | 120 BPM | ||
| Lost at Sea - Bonus Track | Roque Baños | C Major | 1 | 8B | 112 BPM | ||
| Kon-Tiki (End Credits) | Johan Söderqvist, Hans Ek, Philharmonia Orchestra | A Minor | 3 | 8A | 102 BPM | ||
| Airfield | Michael Nielsen, Kaveh Cohen | C Minor | 1 | 5A | 67 BPM | ||
| Superfreeze | Harald Kloser | A♭ Major | 4 | 4B | 75 BPM |