Steve Rouse, Benjamin Sung, Jihye Chang's 'Violin Sonata: II. —' had a release date set for June 1, 2012. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 16 in the song's album "Rouse: Chamber Music". In this album, this song's track order is #2. Furthermore, we believe that the track originated from United States. In terms of popularity, Violin Sonata: II. — is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Violin Sonata: II. — by Steve Rouse, Benjamin Sung, Jihye Chang having a BPM of 95 with a half-time of 48 BPM and a double-time of 190 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Gra - for solo clarinet (1993) | Alain Damiens | E Minor | 0 | 9A | 138 BPM | ||
| Sonata Santera: I. Despojo | Iván Enrique Rodríguez, Han Chen, Eric Schultz | A Minor | 1 | 8A | 88 BPM | ||
| Wine-Dark Sea: II. Immortal Thread, So Weak | John Mackey, North Texas Wind Symphony, Eugene Migliaro Corporon | C Major | 0 | 8B | 135 BPM | ||
| Copland: Suite from Appalachian Spring: VII. Variations on a Shaker Hymn. Doppio movimento (1945 Version) | Aaron Copland, Minnesota Orchestra, Sir Neville Marriner | C Major | 0 | 8B | 87 BPM | ||
| Quatuor pour la fin du Temps: I. Liturgie de cristal | Olivier Messiaen, Louise Bessette, Cameron Crozman, Dominic Desautels, Mark Lee | G Major | 2 | 9B | 134 BPM | ||
| Taktakishvili: Sonata: Aria: Moderato con moto | Otar Taktakishvili, Brian Luce, Rex Woods | D Minor | 1 | 7A | 95 BPM | ||
| Clarinet Trio in A Minor, Op. 114: I. Allegro | Johannes Brahms, Han Chen, Clare Monfredo, Eric Schultz | A Minor | 1 | 8A | 88 BPM | ||
| Brass Quintet No. 2, Op. 6: I. Allegro risoluto | Victor Ewald, Stockholm Chamber Brass | E♭ Major | 0 | 5B | 71 BPM | ||
| Trumpet Sonata: II. Adagio molto cantabile | Karl Pilss, Carole Dawn Reinhart, Jean-Claude Vanden Eynden | G Major | 2 | 9B | 134 BPM | ||
| Cello Sonata: II. Quarter Note = 96 (Mercurial but Steady) | Steve Rouse, Paul York, Michael Gurt | D Major | 1 | 10B | 100 BPM | ||
| Dance Movements: IV. Molto Ritmico | Philip Sparke, North Texas Wind Symphony, Eugene Migliaro Corporon | E♭ Major | 3 | 5B | 141 BPM | ||
| Sonata for Tuba and Piano: I. Allegro pesante | Øystein Baadsvik, Niklas Sivelov | F♯ Major | 0 | 2B | 142 BPM | ||
| Sonatina for Horn and Piano Op.56 - II. Minuet: Andantino | Ben Goldscheider, Huw Watkins | A Major | 1 | 11B | 112 BPM | ||
| Cadenza für Violine und Klavier | Sophia Jani, Clarissa Bevilacqua, Martina Consonni | G Major | 2 | 9B | 134 BPM | ||
| Into the Light: II. — | Steve Rouse, Cincinnati Symphony Orchestra, Jesús López-Cobos | F Minor | 1 | 4A | 77 BPM | ||
| Ives: Set No. 6 for Chamber Orchestra "From the Side Hill": I. Mists | Charles Ives, Ensemble Modern, Ingo Metzmacher | E♭ Major | 1 | 5B | 131 BPM | ||
| Hackney | Clement Woodcock, The Royal Wind Music, Paul Leenhouts | D♭ Major | 0 | 3B | 147 BPM | ||
| Críptico No. 9 | Iván Enrique Rodríguez, Eric Schultz | A Minor | 1 | 8A | 88 BPM | ||
| Chasing Sunlight: IV. Exhausted - Live | Mark David Boden, Fenella Humphreys, Sinfonia Cymru, Haim Choi | D Minor | 1 | 7A | 109 BPM | ||
| Trauermusik | Paul Hindemith, Geraldine Walther, San Francisco Symphony, Herbert Blomstedt | E Major | 0 | 12B | 88 BPM | ||
| Trittico: III. Allegro marcato | Václav Nelhýbel, Dallas Wind Symphony, Frederick Fennell | G Minor | 3 | 6A | 81 BPM | ||
| Impromptu-caprice in A-Flat Major, Op. 9. Allegretto moderato | Gabriel Pierné, Lavinia Meijer | A♭ Major | 1 | 4B | 75 BPM | ||
| Scaramouche, Op. 165c: II. Modere | Darius Milhaud, Sohre Rahbari, Belgian Radio and Television Philharmonic Orchestra, Alexander Rahbari | B♭ Major | 0 | 6B | 168 BPM | ||
| Wachet auf, ruft uns die Stimme, BWV 645 (Arr. for Orchestra by Sir Andrew Davis) | Johann Sebastian Bach, Martyn Brabbins, BBC Philharmonic | E♭ Major | 0 | 5B | 73 BPM | ||
| Sonata No. 1 in C Major (REINVENTED for Solo Flute by LUCA ASTOLFONI FOSSI): III. Variation II | Saverio Mercadante, Claudio Ferrarini | G Major | 2 | 9B | 134 BPM |