Exercise No. 1 by Luc Ferrari, Frederic Rebotier, Samon Takahashi, Ravi Shardja, Jean-Marcel Busson, Ciro Longobardi, Brunhild Ferrari Song Details

"Exercise No. 1" by Luc Ferrari, Frederic Rebotier, Samon Takahashi, Ravi Shardja, Jean-Marcel Busson, Ciro Longobardi, Brunhild Ferrari had its release date on March 24, 2014. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 1 out of 8 in Ferrari: Excercises d'improvisation by Luc Ferrari, Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from Italy. Exercise No. 1 is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

The tempo marking of Exercise No. 1 by Luc Ferrari, Frederic Rebotier, Samon Takahashi, Ravi Shardja, Jean-Marcel Busson, Ciro Longobardi, Brunhild Ferrari is Andante (at a walking pace), since this song has a tempo of 88 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.

Music Key

This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 0%
Loudness: -28.014 dB
Acousticness: 2%
Danceability: 21%
Energy: 24%
Instrumentalness: 49%
Liveness: 12%
Loudness: 53%
Speechiness: 13%
Valence: 6%

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