"Happy Day" by Rael Jones had its release date on June 2, 2017. With This song being less than two minutes long, at 1:52, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Rael Jones's "My Cousin Rachel (Original Motion Picture Soundtrack)" album is number 6 out of 26. Happy Day is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Happy Day by Rael Jones to be Andante (at a walking pace) because the track has a tempo of 79 BPM, a half-time of 40BPM, and a double-time of 158 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 1/4.
This song has a musical key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Hope for Love | Mario Malagnini | G Major | 1 | 9B | 94 BPM | ||
| Mark And Bridget Kiss | Craig Armstrong | C Major | 2 | 8B | 74 BPM | ||
| Knightley's Walk | Samuel Sim | G Major | 1 | 9B | 92 BPM | ||
| A Thousand Apologies | Rael Jones | D Major | 5 | 10B | 104 BPM | ||
| Facebook Friends | Theodore Shapiro | E Major | 1 | 12B | 80 BPM | ||
| Dolls | Samuel Sim | F♯ Minor | 1 | 11A | 97 BPM | ||
| The Dressmaker Closing Credits | David Hirschfelder | D Minor | 1 | 7A | 74 BPM | ||
| A Promise to Return | Michael Price, Rael Jones | E♭ Major | 4 | 5B | 140 BPM | ||
| Variations on an Original Theme, Op. 36 "Enigma": 9. Nimrod (Adagio) | David Hirschfelder, Kim Wheeler | E♭ Major | 1 | 5B | 86 BPM | ||
| White Dress | Christophe Beck | B♭ Major | 1 | 6B | 143 BPM | ||
| Sound of Waves | Naoki”naotyu-”Chiba | C Major | 1 | 8B | 117 BPM | ||
| It Was Always Tate - From The Motion Picture “Where The Crawdads Sing” | Mychael Danna | E Minor | 1 | 9A | 98 BPM | ||
| Adieu | Federico Jusid | D Minor | 1 | 7A | 71 BPM | ||
| Yarmouth | Christopher Willis | G Major | 2 | 9B | 74 BPM | ||
| Vesper (From "Casino Royale" Soundtrack) | David Arnold | A Minor | 1 | 8A | 64 BPM | ||
| Mildred Pierce Opening Titles | Carter Burwell | D Minor | 1 | 7A | 73 BPM | ||
| The Miracle | Maurizio Malagnini | A Major | 2 | 11B | 142 BPM | ||
| On the Lake | Aaron Zigman | C Major | 0 | 8B | 58 BPM | ||
| Wedding | Craig Armstrong | F♯ Major | 3 | 2B | 49 BPM | ||
| Rooms Behind Rooms | Federico Jusid | D Minor | 1 | 7A | 71 BPM | ||
| Opening | Craig Armstrong | D Minor | 2 | 7A | 91 BPM | ||
| The Julia and Henry Theme | Bear McCreary | A Major | 4 | 11B | 147 BPM | ||
| Burning Down Dungatar | David Hirschfelder | G Major | 2 | 9B | 180 BPM | ||
| Saint Luke's | Carlos Rafael Rivera | C Minor | 2 | 5A | 106 BPM | ||
| Ricky - Thème | Philippe Rombi | E Minor | 1 | 9A | 45 BPM |