On 1990, the song "The Collier Laddie" was released by The Corries. With this song being around four minutes long, at 3:35, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 18 in the song's album "Traditions". In this album, this song's track order is #9. The Collier Laddie is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With The Collier Laddie by The Corries having a BPM of 83 with a half-time of 42 BPM and a double-time of 166 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Fainne Geal an Lae | Iarla Ó Lionáird | D♭ Major | 2 | 3B | 96 BPM | ||
| The Lark in the Morning | The Johnstons | F Minor | 2 | 4A | 127 BPM | ||
| High Germany | Martin Carthy, Dave Swarbrick | E Major | 3 | 12B | 115 BPM | ||
| Billy O'Shea | Mike McGoldrick, John McCusker & John Doyle | D Major | 5 | 10B | 110 BPM | ||
| The Road to the Isles | Andy Stewart | A♭ Major | 3 | 4B | 113 BPM | ||
| Courtin' in the Kitchen | Ronnie Drew | G Major | 7 | 9B | 121 BPM | ||
| The North Country Maid | The Watersons | F Minor | 1 | 4A | 138 BPM | ||
| Lincolnshire Poacher | The Teacups | F♯ Major | 3 | 2B | 52 BPM | ||
| Witch of the West-Mer-Lands | Archie Fisher | D Major | 2 | 10B | 118 BPM | ||
| The Massacre of Glencoe | North Sea Gas | G Major | 2 | 9B | 123 BPM | ||
| Ten Thousand Miles | Danú | C Major | 2 | 8B | 131 BPM | ||
| When Rosy May Comes in Wi' Flowers | Tony Cuffe | F Major | 3 | 7B | 108 BPM | ||
| The Ramblin' Rover | Siobhan Miller | C Major | 1 | 8B | 92 BPM | ||
| Such a Thing as Society | Ewan McLennan, George Monbiot | B Major | 4 | 1B | 137 BPM | ||
| Scots Wha Hae | The Corries & Ronnie Browne | D♭ Major | 1 | 3B | 91 BPM | ||
| There Were Roses - Remixed, Remastered, Reissued | Mick Moloney, Robbie O'Connell, Jimmy Keane, Liz Carroll | D Major | 1 | 10B | 95 BPM | ||
| Erin Go Bragh | Dick Gaughan | E♭ Minor | 4 | 2A | 63 BPM | ||
| The Foggy Dew | Danú | A Major | 6 | 11B | 152 BPM | ||
| Kilkelly Ireland | Seán Keane | D Minor | 4 | 7A | 138 BPM | ||
| Calling Doon the Line (The Piper's Call) | Scocha | B♭ Major | 2 | 6B | 123 BPM | ||
| Sheòl Am Bàta | Sian | G Minor | 3 | 6A | 101 BPM | ||
| The Butcher Boy | The Clancy Brothers & Tommy Makem | G Major | 1 | 9B | 144 BPM | ||
| The Hold-up at Eugowra Rocks | A. L. Lloyd | C Minor | 5 | 5A | 109 BPM | ||
| Auld Lang Syne | Ronnie Browne | G Major | 2 | 9B | 103 BPM | ||
| Scarborough Fair | Martin Carthy, Dave Swarbrick | A Minor | 2 | 8A | 142 BPM |