Luke Edgemon's ' "Love Law" was released on its scheduled release date, April 28, 2017. The duration of This song is about two minutes long, specifically at 2:36. This song does not appear to have any foul language. Love Law's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 5 in the song's album "Sweeter Ground". In this album, this song's track order is #3. In terms of popularity, Love Law is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Love Law by Luke Edgemon having a BPM of 102 with a half-time of 51 BPM and a double-time of 204 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of B Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Waka Waka (This Time For Africa) | University of Rochester YellowJackets | D♭ Major | 8 | 3B | 127 BPM | ||
| I 2 I | SoCal VoCals | B Minor | 7 | 10A | 136 BPM | ||
| Think | Adam Lambert | B Major | 8 | 1B | 124 BPM | ||
| Somethin' From Nothin' | Fairground Saints | F♯ Major | 8 | 2B | 150 BPM | ||
| You've Got a Friend in Me | Scott Bradlee, Casey Abrams | B♭ Major | 4 | 6B | 109 BPM | ||
| Wishing Well | Jolan | E♭ Major | 7 | 5B | 105 BPM | ||
| Always Be My Baby | Scary Pockets, Mario Jose | D Major | 7 | 10B | 86 BPM | ||
| Living For The City | BJ The Chicago Kid | F♯ Major | 7 | 2B | 102 BPM | ||
| Dr. Wanna Do - Acoustic | Caro Emerald | G Major | 5 | 9B | 95 BPM | ||
| MMMbop | Scott Bradlee's Postmodern Jukebox, Kenton Chen, Luke Edgemon, Matt Bloyd, Mario Jose | E Major | 8 | 12B | 96 BPM | ||
| Crayola Doesn't Make a Color for Your Eyes | Kristin Andreassen | B♭ Minor | 5 | 3A | 126 BPM | ||
| Everybody Wants To Be A Cat | The Electric Swing Circus | B Minor | 6 | 10A | 130 BPM | ||
| Save Tonight / Wake Me Up | The Choir of Man | D Major | 8 | 10B | 123 BPM | ||
| Arthur's Theme (Best That You Can Do) | Fitz and The Tantrums | E♭ Minor | 8 | 2A | 92 BPM | ||
| Calling Me Home | Dan Sugimoto | A Minor | 6 | 8A | 105 BPM | ||
| Closing Credits: Sherry / December, 1963 (Oh, What a Night) | John Lloyd Young, Erich Bergen, Michael Lomenda, Vincent Piazza | F Minor | 7 | 4A | 109 BPM | ||
| We Still Got Us | Nataly Dawn, David Choi | B♭ Major | 4 | 6B | 81 BPM | ||
| Sweeter Ground | Luke Edgemon | E♭ Minor | 7 | 2A | 132 BPM | ||
| Goodbye Forever | Us The Duo | D Major | 6 | 10B | 98 BPM | ||
| I Guess That's Why They Call It The Blues | Alessia Cara | F♯ Major | 7 | 2B | 85 BPM | ||
| Knock Knock | Nikki Yanofsky | D♭ Major | 7 | 3B | 176 BPM | ||
| Wake Me Up Before You Go-Go | Matthieu Boré | G Major | 4 | 9B | 144 BPM | ||
| Gimme That Swing! - Vintage Mix | Cissie Redgwick | D Major | 8 | 10B | 118 BPM | ||
| Don't Stop Me Now | Scott Bradlee's Postmodern Jukebox, Melinda Doolittle | D Major | 5 | 10B | 136 BPM | ||
| The Food Song | Barbra Lica | A Major | 6 | 11B | 90 BPM |