J. Tillman's 'James Blues' had a release date set for January 20, 2009. The duration of This song is about two minutes long, specifically at 2:30. This song does not appear to have any foul language. James Blues's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Vacilando Territory Blues by J. Tillman. The song's track number on the album is #5 out of 13 tracks. Based on our data, United States was the country where this track was produced or recorded. In terms of popularity, James Blues is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since James Blues by J. Tillman has a tempo of 98 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With James Blues being at 98 BPM, the half-time would be 49 BPM with a double-time of 196 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song is in the music key of A♭ Minor. Which also means that the camelot key for this song is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Little More Time | Ciaran Lavery | B♭ Major | 5 | 6B | 73 BPM | ||
| Mothers | S. Carey | B Minor | 3 | 10A | 83 BPM | ||
| Artifact #1 | Conor Oberst | D Major | 5 | 10B | 81 BPM | ||
| I Can See Your Tracks | Laura Veirs | F Major | 2 | 7B | 170 BPM | ||
| Dark Bird Is Home | The Tallest Man On Earth | A♭ Major | 2 | 4B | 80 BPM | ||
| Coda (Ann St. Pt. 2) | Chris Bathgate | E Major | 2 | 12B | 198 BPM | ||
| Riversong | Chris and Thomas | F Major | 3 | 7B | 115 BPM | ||
| Lullaby (Mountain) | The Acorn | D Major | 3 | 10B | 89 BPM | ||
| Cleo's Song | Jesse Marchant | D Major | 1 | 10B | 75 BPM | ||
| No Silver | Chris Bathgate | D Major | 5 | 10B | 78 BPM | ||
| Very Many | The Middle East | F Major | 3 | 7B | 119 BPM | ||
| A Seat at the Table | J. Tillman | C Major | 1 | 8B | 96 BPM | ||
| Be Dark Night | Phosphorescent | B♭ Major | 4 | 6B | 120 BPM | ||
| Overcome With Light | Bowerbirds | G Major | 1 | 9B | 97 BPM | ||
| House Of Diamonds | Bowerbirds | C Major | 4 | 8B | 115 BPM | ||
| I Can See the Pines Are Dancing | A.A. Bondy | D♭ Major | 7 | 3B | 114 BPM | ||
| Animal Tracks | Mountain Man | E Minor | 2 | 9A | 131 BPM | ||
| Money Sounds | The Shivers | G Major | 3 | 9B | 75 BPM | ||
| Grace | Clem Snide, Eef Barzelay | D Major | 4 | 10B | 82 BPM | ||
| How the Heroine Dies | The Barr Brothers | B♭ Major | 2 | 6B | 82 BPM | ||
| Little River | The Tallest Man On Earth | B♭ Major | 3 | 6B | 101 BPM | ||
| Double Life | Conor Oberst | E♭ Major | 2 | 5B | 131 BPM | ||
| No Rest - Acoustic | Dry the River | F♯ Major | 3 | 2B | 137 BPM | ||
| Hunting Sky | Sumie | B♭ Major | 2 | 6B | 118 BPM | ||
| Let Me In | Glen Hansard | D Major | 3 | 10B | 107 BPM |