Roxana Amed, Guillermo Klein, Ricardo Cavalli, Matías Méndez, Richard Nant's ' "La Oncena" was released on its scheduled release date, May 6, 2011. With this song being around four minutes long, at 4:28, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Roxana Amed's "Inocencia" album is number 11 out of 12. On top of that, Argentina appears to be the country where this track was created. Based on our statistics, La Oncena's popularity is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of La Oncena by Roxana Amed, Guillermo Klein, Ricardo Cavalli, Matías Méndez, Richard Nant to be Allegro (fast, quick, and bright) because the track has a tempo of 147 BPM, a half-time of 74BPM, and a double-time of 294 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 3/4.
This song has a musical key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| She's Leaving Home | Johanna Linnea Jakobsson, Robin Petersson, Anders Fjeldsted, Gustaf Rosenberg, John Fernold | E♭ Major | 2 | 5B | 84 BPM | ||
| And So It Goes | Viktoria Tolstoy, Jacob Karlzon | G Minor | 5 | 6A | 132 BPM | ||
| Mirar el Río | Julián Venegas, Pablo Juarez | G Major | 4 | 9B | 97 BPM | ||
| Our days of summer | Roxana Amed | G Minor | 1 | 6A | 122 BPM | ||
| Tall | Phraim | D♭ Major | 3 | 3B | 96 BPM | ||
| Ciudad de pobres corazones | Roxana Amed | A♭ Major | 3 | 4B | 109 BPM | ||
| Nostalgia Andina (feat. Linda Briceño) | Roxana Amed, Linda Briceño | E Major | 5 | 12B | 175 BPM | ||
| Dienda | Jill Desiree, Katisse | B♭ Major | 3 | 6B | 110 BPM | ||
| Muchacha Ojos De Papel | Carolina De La Muela | D Minor | 1 | 7A | 76 BPM | ||
| Señales del viento | Mattam Mejía | G Minor | 5 | 6A | 132 BPM | ||
| (They Long to Be) Close to You | Ellas Kapell | F Major | 2 | 7B | 139 BPM | ||
| The Doc | Mathias Algotsson, Karl Olandersson, Klas Lindquist, Svante Söderqvist | F Major | 1 | 7B | 184 BPM | ||
| Chacafrik | Emilio Solla Tango Jazz Orchestra | C Minor | 5 | 5A | 175 BPM | ||
| Someday My Prince Will Come | Dino Saluzzi, Jacob Young, José Maria Saluzzi | C Major | 0 | 8B | 77 BPM | ||
| Tomorrow Never Knows | Marshal Herridge | C Major | 3 | 8B | 100 BPM | ||
| What a Difference a Day Makes (Cuando vuelva a tu lado) | Lucía | B♭ Minor | 5 | 3A | 100 BPM | ||
| Shadow Self | Suzan Veneman, Timothy Banchet, Jasper van Damme | A♭ Minor | 2 | 1A | 122 BPM | ||
| La Tarara | Antonio Serrano, Kaele Jiménez | F Major | 6 | 7B | 117 BPM | ||
| IMPROVISO I - A DANÇA DOS CAMIÕES / improvisation I - the dance of the trucks | Mário Laginha | G Minor | 5 | 6A | 132 BPM | ||
| Anidar | Andrea Cruz | A Major | 1 | 11B | 149 BPM | ||
| El Otro Camino | Santiago Torricelli Ensamble, Roxana Amed | C Minor | 3 | 5A | 108 BPM | ||
| Dueño No Tengo | Don Olimpio | B Minor | 1 | 10A | 171 BPM | ||
| Milonga de despedida | Duratierra | D♭ Minor | 2 | 12A | 127 BPM | ||
| Il pleut sur de la Commune | The Sunset Hill Jazz Band, Paul Rossy | A♭ Major | 3 | 4B | 125 BPM | ||
| How Deep Is the Ocean | Ellas Kapell | G Minor | 5 | 6A | 132 BPM |