Bitu Samajpati, NA's ' "Hare Krishna Vol 2 Part 1 - Original" was released on its scheduled release date, May 22, 2021. With this song being around four minutes long, at 4:01, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Bitu Samajpati, NA's "Hare Krishna Vol 2 (Original)" album is number 1 out of 5. On top of that, India appears to be the country where this track was created. In terms of popularity, Hare Krishna Vol 2 Part 1 - Original is currently unknown. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Hare Krishna Vol 2 Part 1 - Original by Bitu Samajpati, NA to be Andante (at a walking pace) because the track has a tempo of 107 BPM, a half-time of 54BPM, and a double-time of 214 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
F♯ Major is the music key of this track. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Mukh Sundar Hole | Sanajit Mondal | C Major | 4 | 8B | 89 BPM | ||
| Ektuku Choya Lage | Mita Chatterjee, Rabindranath Tagore | D♭ Minor | 1 | 12A | 115 BPM | ||
| Tomar Sathe Cholte | Mohammed Aziz | D♭ Major | 4 | 3B | 143 BPM | ||
| Jodi Sorone Aashe More | Firoza Begum | E Minor | 4 | 9A | 119 BPM | ||
| Ki Karane Balo Thakur | Mahesh Ranjan Shome | A♭ Major | 7 | 4B | 91 BPM | ||
| Gother Rakhal | Tina Ghoshal | E♭ Major | 3 | 5B | 166 BPM | ||
| Mano Chalo Nija Niketane | Ramakrishna Math, Swami Sarvagananda | C Minor | 3 | 5A | 115 BPM | ||
| Ebar Ujar Kore | Srikanta Acharya | B♭ Major | 2 | 6B | 96 BPM | ||
| Unki Baapre Mahi | Bitu Samajpati | B♭ Major | 6 | 6B | 151 BPM | ||
| Jagate Ananda Yogge | Mita Chatterjee, Rabindranath Tagore | C Major | 2 | 8B | 122 BPM | ||
| Dino Bhakte Dekha Dao | Mahesh Ranjan Shome | F♯ Major | 4 | 2B | 153 BPM | ||
| Radha Rani ki Jai Maharani ki Jai | Premanand Maharaj | E♭ Major | 1 | 5B | 120 BPM | ||
| Shunun Jato Mahajan | Bitu Samajpati, Chandidas Bose | E Major | 3 | 12B | 66 BPM | ||
| Hari Mon Mojaye | Manabendra Mukherjee | D♭ Major | 3 | 3B | 78 BPM | ||
| Badol Diner Prothom Kodom Ful | Rezwana Choudhury Bannya | A♭ Major | 3 | 4B | 115 BPM | ||
| Emon Anek Kathai Bol Tumi | Satinath Mukherjee | E♭ Major | 3 | 5B | 101 BPM | ||
| Aari Bhaab Aari Bhaab | Bitu Samajpati, Amit Kumar | F Major | 5 | 7B | 63 BPM | ||
| Aji Shrabanghanagahan Mohe | Debabrata Biswas | F Major | 4 | 7B | 180 BPM | ||
| Aami Tomar Sange Bendhechhi | Rezwana Choudhury Bannya | D Major | 2 | 10B | 137 BPM | ||
| Ghatak Chilo Ke | Amrik Singh Arora | B Major | 5 | 1B | 113 BPM | ||
| Tor chorone shyma maa | Raghab Chatterjee | D Major | 5 | 10B | 148 BPM | ||
| Nai Nai Bhoy Hobe | Debranjan | E♭ Minor | 4 | 2A | 112 BPM | ||
| Bare Bare Ar Asa Hobe Na - Bengali | Koushik Adhikari | E♭ Minor | 6 | 2A | 149 BPM | ||
| Hey Yogeshwar Hey Lokeshwar | Kumar Sanu, Kajori Guha | C Major | 5 | 8B | 170 BPM | ||
| Hare Krishna Naam | Chandrabali Rudra Dutta | E Major | 3 | 12B | 127 BPM |