On November 7, 2025, the song "California Love - 1950s 2Pac" was released by The Speakeasy Rappers. California Love - 1950s 2Pac is considered explicit and may contain foul language. This song is about 3 minutes and 9 seconds, which is about the average length of a typical song. There is only one song in 90s Rap in the 1950s, so we believe that "California Love - 1950s 2Pac" is a single. California Love - 1950s 2Pac is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of California Love - 1950s 2Pac by The Speakeasy Rappers is Andante (at a walking pace), since this song has a tempo of 83 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Love The Way You Lie | The Speakeasy Rappers | A♭ Major | 5 | 4B | 82 BPM | ||
| No Kings Day - Ames' Version | Ames Ives | F Minor | 4 | 4A | 114 BPM | ||
| Leavin' you | Brian Giffen | B♭ Minor | 4 | 3A | 180 BPM | ||
| Roses - 1950's Version | for the soul | B♭ Major | 3 | 6B | 187 BPM | ||
| The Fate of Ophelia - 1950s Taylor Swift | The Swingin' Covers | C Minor | 7 | 5A | 109 BPM | ||
| Some People Just Need a High Five | Broken Trails | C Major | 8 | 8B | 104 BPM | ||
| Floor 7 Is Gone | promptgenix | D Major | 5 | 10B | 174 BPM | ||
| Sweet Fire on a Summer Night | Blackeyes | C Major | 8 | 8B | 104 BPM | ||
| Such a Night | Vince Everett | B Major | 6 | 1B | 175 BPM | ||
| Walk on the Wild Side | The Lonesome Captain and His Hurt Feelings | C Major | 8 | 8B | 104 BPM | ||
| Salt & Silver | Wyatt Creed | G Minor | 6 | 6A | 99 BPM | ||
| 1. Lydia | Mike Sanchez, Drew Davis, Big Boy Bloater | F♯ Major | 9 | 2B | 102 BPM | ||
| Did You See (Motown & Soul) | Jay Stacks Beats | E♭ Major | 4 | 5B | 148 BPM | ||
| Not Like Us | The Speakeasy Rappers, AI.SLAPS | A♭ Major | 3 | 4B | 101 BPM | ||
| Big River | Jay Ernest, Don Diego Trio | C Minor | 7 | 5A | 90 BPM | ||
| Lucia | Pat Capocci | G Major | 9 | 9B | 167 BPM | ||
| Fishing in the Deep Waters | The Kokomo Kings | E Major | 8 | 12B | 144 BPM | ||
| California Girls | Wyatt Creed | F Major | 6 | 7B | 80 BPM | ||
| Angel Baby | Sean McDonald | G Minor | 10 | 6A | 150 BPM | ||
| In Da Club - 1950s 50 Cent | The Speakeasy Rappers | D Minor | 6 | 7A | 77 BPM | ||
| Mexican American War | The Series | B Major | 8 | 1B | 165 BPM | ||
| Good Deal Lucille | Benny and the Cats, Charlie Thompson | D Major | 8 | 10B | 177 BPM | ||
| We Drank the Night Into a Memory | Daxlin Veylo | G Minor | 7 | 6A | 113 BPM | ||
| Rangers Against the Universe | Ryder Lake, The Soulful Gentlemen, Jaxon Reid | C Major | 8 | 8B | 104 BPM | ||
| Man I Need - 1950s Olivia Dean | The Swingin' Covers | F Major | 5 | 7B | 166 BPM |