On March 10, 2018, the song "He Maa No Garbo Re Rame" was released by Damyanti Bardai. This song is about six minutes long, preciously at 5:46, making this song fairly long compared to other songs. The track order of this song in Various Artists's "Garbe Ramva Aavo" album is number 9 out of 12. On top of that, India appears to be the country where this track was created. The popularity of He Maa No Garbo Re Rame is currently not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of He Maa No Garbo Re Rame by Damyanti Bardai to be Vivace (lively and fast) because the track has a tempo of 174 BPM, a half-time of 87BPM, and a double-time of 348 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 4/4.
D♭ Minor is the music key of this track. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Lagan Lagi Tose | Shahnaz Akhtar | D♭ Major | 9 | 3B | 150 BPM | ||
| Jay Jalaram Bapa Jay Jalaram | Gagan Jethva | D♭ Major | 5 | 3B | 75 BPM | ||
| Rangama Bhini Re | Rajkot Gurukul | D♭ Minor | 7 | 12A | 112 BPM | ||
| Gadh Re Dheladie | Damyanti Bardai | G Major | 6 | 9B | 173 BPM | ||
| Panaji Munde Bol | Seema Mishra | D♭ Minor | 5 | 12A | 152 BPM | ||
| Sakhi Aaj Ni Ghadi Te Raliyamani | Himali V Naik | F Minor | 6 | 4A | 135 BPM | ||
| Rasiyo Rupalo | Rutvi Pandya | E♭ Minor | 9 | 2A | 60 BPM | ||
| Tame Re Sundarvanna | Atul Purohit, Himali, Smita Shah | B♭ Major | 4 | 6B | 70 BPM | ||
| Tari Hari Nani Mor | Mamta Chandrakar | D♭ Major | 5 | 3B | 130 BPM | ||
| Amba Abhay Pad Daayni | Suresh Raval, Meena Patel | F♯ Major | 8 | 2B | 143 BPM | ||
| Tari Ek Ek Pal Jaye Lakhni | Hari Bharwad | E♭ Major | 5 | 5B | 180 BPM | ||
| ShreeJi Bawa Din Dayala | Manoj Dave, Himali Dholakia | B♭ Major | 5 | 6B | 101 BPM | ||
| Chamunda Chotilawadi Re | Karsan Sagathia, Damyanti Bardai | F Minor | 5 | 4A | 139 BPM | ||
| Odhni odhu odhu ne udi jay | Raghuveer Kunchala, Damyanti Bardai | G Major | 7 | 9B | 97 BPM | ||
| Miscall Na Maar Chhodi | Kamlesh Barot | E Major | 7 | 12B | 110 BPM | ||
| Khati Mithi Vangi - DJ EDM Remix | Vinod Rathod | G Major | 10 | 9B | 131 BPM | ||
| Babal Thai Jay | Vikram Thakor, Dipalee Somaiya Date | F Major | 1 | 7B | 68 BPM | ||
| Varghodo Varghodo | Nidhi Dholakia | D♭ Minor | 4 | 12A | 96 BPM | ||
| Aaje Sahune Jay Shree Krishna-Dhoon | Nidhi Dholakia, Nitin Devka | D♭ Major | 6 | 3B | 77 BPM | ||
| Padhao Re Popat | Ashit Desai & Group | F Major | 4 | 7B | 157 BPM | ||
| Mathe Matukdi | Bhavna Rana, Damyanti Bardai, Valji Dabhi, Arvind Barot | G Major | 6 | 9B | 173 BPM | ||
| Kachi Re Matinu Kodiyu | Hari Bharwad | A♭ Major | 5 | 4B | 106 BPM | ||
| Poonamni Raat Chhe (Title Song) - DJ EDM Remix | Nisha Upadhyay | C Major | 9 | 8B | 51 BPM | ||
| Tu Maro Meru Tu Mari Malan | Usha Mangeshkar, Viraj Upadhyaya | E♭ Minor | 5 | 2A | 77 BPM | ||
| Chelaji Re | Atul Purohit, Himali, Smita Shah | A♭ Major | 4 | 4B | 72 BPM |