"Symphony in B-Flat Major, Op. 2 No. 1: II. Moderato e dolce" by William Boyce, Academy of St. Martin in the Fields, Sir Neville Marriner had its release date on January 6, 2017. The duration of This song is about two minutes long, specifically at 2:24. This song does not appear to have any foul language. Symphony in B-Flat Major, Op. 2 No. 1: II. Moderato e dolce's duration is considered a little bit shorter than the average duration of a typical track. The song is number 5 out of 23 in Boyce: 8 Symphonies by William Boyce, Academy of St. Martin in the Fields, Sir Neville Marriner. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Symphony in B-Flat Major, Op. 2 No. 1: II. Moderato e dolce is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Symphony in B-Flat Major, Op. 2 No. 1: II. Moderato e dolce by William Boyce, Academy of St. Martin in the Fields, Sir Neville Marriner is Andante (at a walking pace), since this song has a tempo of 84 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
The music key of this track is G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Concerto grosso in B Minor, Op. 6 No. 12, HWV 330: II. Allegro | George Frideric Handel, Iona Brown, Academy of St. Martin in the Fields | B Minor | 2 | 10A | 120 BPM | ||
| Concerto grosso in B-Flat Major, Op. 3 No. 2, HWV 313: III. Allegro | George Frideric Handel, Iona Brown, Jonathan Rees, Academy of St. Martin in the Fields | B♭ Major | 4 | 6B | 174 BPM | ||
| Oboe Concerto in D Minor, Op. 9, No. 2: I. Allegro e non presto | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | D Minor | 2 | 7A | 145 BPM | ||
| Oboe Concerto in C Major on Themes of Pergolesi: IV. Allegro | Anthony Camden, City of London Sinfonia, Nicholas Ward | G Major | 1 | 9B | 124 BPM | ||
| Oboe Concerto in E-Flat Major, Wq. 165, H. 468: II. Adagio ma non troppo | Carl Philipp Emanuel Bach, Jozsef Kiss, Budapest Ferenc Erkel Chamber Orchestra | C Minor | 1 | 5A | 92 BPM | ||
| Oboe Concerto in B-Flat Major, Wq. 164, H. 466: III. Allegro moderato | Carl Philipp Emanuel Bach, Jozsef Kiss, Budapest Ferenc Erkel Chamber Orchestra | B♭ Major | 1 | 6B | 182 BPM | ||
| Concerto for 3 Trumpets, 2 Oboes, Timpani, Strings and Continuo in D: 1. Intrada | Georg Philipp Telemann, Håkan Hardenberger, Michael Laird, William Houghton, Celia Nicklin, Tess Miller, Graham Sheen, John Constable, Academy of St. Martin in the Fields, Iona Brown | A Major | 2 | 11B | 109 BPM | ||
| Lobgesang: I. Introduzione Pastorale. Andante con moto | Fanny Mendelssohn, Kammerakademie Potsdam, Justin Doyle | G Major | 1 | 9B | 63 BPM | ||
| Concerto for 2 Oboes da caccia, 2 Violas, 2 Bassoons and Continuo in G Major, FaWV L:G11: II. Air | Johann Friedrich Fasch, Il Gardellino | D♭ Major | 0 | 3B | 79 BPM | ||
| Oboe Concerto in G Minor: Allegro | Giovanni Benedetto Platti, Anthony Camden, City of London Sinfonia, Nicholas Ward | G Minor | 2 | 6A | 104 BPM | ||
| Recorder Sonata in F major, Op.1, No.11, HWV 369: 3. Alla siciliana | George Frideric Handel, Michala Petri, Academy of St. Martin in the Fields | F Major | 1 | 7B | 130 BPM | ||
| Symphony in F Major, Op. 2 No. 6 "Solomon": II. Larghetto | William Boyce, Academy of St. Martin in the Fields, Sir Neville Marriner | F Major | 0 | 7B | 113 BPM | ||
| Overture (Suite) In C Major, TWV 55: C6: V. Sommeille | Cologne Chamber Orchestra, Georg Philipp Telemann | C Minor | 0 | 5A | 58 BPM | ||
| Overture (Suite) In C Major, TWV 55: C6: I. Ouverture: Grave. Allegro. Grave | Cologne Chamber Orchestra, Georg Philipp Telemann | G Major | 3 | 9B | 116 BPM | ||
| Sonata in C Minor, Jung III.2.B: I. Largo | Johann Georg Pisendel, Concerto Köln, Mayumi Hirasaki | B Minor | 1 | 10A | 96 BPM | ||
| Flute Concerto in A Minor, QV 5:238: II. Arioso ma non troppo | Johann Joachim Quantz, Mary Oleskiewicz, Concerto Armonico Budapest, Miklós Spányi | A♭ Major | 1 | 4B | 81 BPM | ||
| Telemann: Concerto for 2 Oboes and Trumpet in D Major, TWV 53/D2: II. Adagio | Georg Philipp Telemann, Maurice André, Sir Neville Marriner, Academy of St. Martin in the Fields | D Major | 0 | 10B | 134 BPM | ||
| Concerto Grosso in E Minor, Op. 3, No. 3: I. Allegro | Francesco Onofrio Manfredini, Capella Istropolitana, Jaroslav Krcek | E Minor | 2 | 9A | 102 BPM | ||
| Suite Les Boréades, RCT 31: 9. Entrée d' Albaris, Polimnie, les Muses, Zéphirs, Saisons, Les Heures et Les Arts | Jean-Philippe Rameau, Orchestra Of The 18th Century, Frans Brüggen | D♭ Major | 2 | 3B | 85 BPM | ||
| Bassoon Concerto in C Major, FWV L:C2: I. Allegro | Johann Friedrich Fasch, Paolo Tognon, Capella Savaria, Pal Nemeth | F♯ Major | 2 | 2B | 103 BPM | ||
| Overture No. 2 in F Major: III. Sarabande | Francesco Maria Veracini, Accademia I Filarmonici, Alberto Martini | F Major | 1 | 7B | 108 BPM | ||
| Purcell: Chacony in G Minor, Z. 730 | Henry Purcell, Sir Neville Marriner, Academy of St. Martin in the Fields | B♭ Major | 4 | 6B | 113 BPM | ||
| Oboe Concerto in A Major (arr. J. Barbirolli): V. Giga | Arcangelo Corelli, Anthony Camden, City of London Sinfonia, Nicholas Ward | F Major | 0 | 7B | 104 BPM | ||
| Pergolesi: Flute Concerto in G Major, P. 33: I. Allegro moderato (Also Attributed to Paganelli) | Giovanni Battista Pergolesi, Jean-Pierre Rampal, Karl Ristenpart, Kammerorchester des Saarländischen Rundfunks | A Minor | 3 | 8A | 69 BPM | ||
| Bach, CPE: Duet for Clarinets in C Major, Wq. 142: I. Adagio e sostenuto | Carl Philipp Emanuel Bach, Sabine Meyer, Wolfgang Meyer | C Major | 0 | 8B | 74 BPM |