Billy Ban Ban's ' "もっと君を" was released on its scheduled release date, January 14, 2009. With this song being around four minutes long, at 4:26, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There is only one song in セカンド・プロポーズ, so we believe that "もっと君を" is a single. もっと君を is not that popular right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
The tempo marking of もっと君を by Billy Ban Ban is Larghetto (rather broadly), since this song has a tempo of 62 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| さよなら涙 | Billy Ban Ban | C Major | 5 | 8B | 140 BPM | ||
| 時のいたずら | Chiharu Matsuyama | G Minor | 5 | 6A | 90 BPM | ||
| Kono Sora wo Tobetara | Naoko Ken | D Major | 3 | 10B | 131 BPM | ||
| リトル・グリーン・アップル | 小林啓子, ビリー・バンバン | D Major | 5 | 10B | 120 BPM | ||
| 故郷未だ忘れ難く | Kaientai | D Major | 3 | 10B | 143 BPM | ||
| 君と歩いた青春 | Kaze | F Major | 2 | 7B | 138 BPM | ||
| 時のしずく | Billy Ban Ban | A Major | 3 | 11B | 83 BPM | ||
| 虹を追いかけて | Takako Okamura | A♭ Major | 8 | 4B | 124 BPM | ||
| 喝采 | ちあきなおみ | E Major | 5 | 12B | 96 BPM | ||
| 追憶 | Kenji Sawada | E Major | 7 | 12B | 86 BPM | ||
| 八十八夜 | N.S.P | E Minor | 4 | 9A | 150 BPM | ||
| サラダの国から来た娘 | Iruka | E Major | 3 | 12B | 101 BPM | ||
| ほんの短い夏 | Shozo Ise | F♯ Minor | 4 | 11A | 90 BPM | ||
| 愛という名の、自由と不自由 | Billy Ban Ban | C Major | 3 | 8B | 78 BPM | ||
| 海を見ていた午後 | Junko Yamamoto | B♭ Minor | 1 | 3A | 75 BPM | ||
| あの唄はもう唄わないのですか シングル・バージョン | Kaze | D Major | 3 | 10B | 132 BPM | ||
| 遠くで汽笛を聞きながら | ALICE | D♭ Major | 6 | 3B | 146 BPM | ||
| 赤い糸の伝説 | N.S.P | C Minor | 2 | 5A | 97 BPM | ||
| 春なのに | Yoshie Kashiwabara | E♭ Major | 5 | 5B | 147 BPM | ||
| Mado Glass | Naoko Ken | D Major | 3 | 10B | 131 BPM | ||
| パズル・ナイト | Masatoshi Nakamura | E Minor | 4 | 9A | 154 BPM | ||
| Ame ga Sora wo Suteru Hi wa | Naoko Ken | D Major | 3 | 10B | 131 BPM | ||
| 冬の色 | Momoe Yamaguchi | G Minor | 5 | 6A | 120 BPM | ||
| 私鉄沿線 | Goro Noguchi | F Minor | 6 | 4A | 173 BPM | ||
| ボクらはいつも片方の靴 | Billy Ban Ban | D Major | 6 | 10B | 160 BPM |