Ray Conniff's ' "I Could Have Danced All Night/I've Grown Accustomed To Her Face" was released on its scheduled release date, April 7, 2000. The duration of This song is about two minutes long, specifically at 2:34. This song does not appear to have any foul language. I Could Have Danced All Night/I've Grown Accustomed To Her Face's duration is considered a little bit shorter than the average duration of a typical track. The song is number 8 out of 24 in Broadway In Rhythm/Hollywood In Rhythm by Ray Conniff. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, I Could Have Danced All Night/I've Grown Accustomed To Her Face is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of I Could Have Danced All Night/I've Grown Accustomed To Her Face by Ray Conniff is Andante (at a walking pace), since this song has a tempo of 98 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Siboney | Pepe Jaramillo | C Major | 4 | 8B | 81 BPM | ||
| Georgy Girl | Ronnie Aldrich and his 2 pianos, London Festival Orchestra | G Minor | 4 | 6A | 73 BPM | ||
| Lo Que el Viento Se Llevó (Tara's Theme) | Sounds Unlimited Orchestra & The London Philarmonic Orchestra | A♭ Major | 3 | 4B | 92 BPM | ||
| Stranger in Paradise - 2005 Remaster | Eddie Calvert | A♭ Major | 2 | 4B | 90 BPM | ||
| Moon River (From Breakfast At Tiffanys) | Mantovani y Su Gran Orquesta | C Major | 4 | 8B | 81 BPM | ||
| The White Cliffs of Dover | Ray Conniff | F Major | 2 | 7B | 104 BPM | ||
| Only You | Glen Lucas | B Major | 4 | 1B | 90 BPM | ||
| Raindrops Keep Fallin' On My Head - Original Musicor Recordings | Hugo Winterhalter | F Major | 4 | 7B | 101 BPM | ||
| Billy Jack's Theme | The Sidewalk Sounds | E♭ Major | 8 | 5B | 129 BPM | ||
| Couldn't We Be Friends | The Biddu Orchestra | C Major | 4 | 8B | 91 BPM | ||
| Cantando Bajo la Lluvia | Henry Salomon y su Orquesta | B♭ Minor | 2 | 3A | 93 BPM | ||
| Toselli Serenade | Horst Jankowski | G Minor | 4 | 6A | 142 BPM | ||
| Popurri: El Hombre de la Mancha / Dulcinea / Me Simpatiza El / Sueño Imposible | Los Violines de Villafontana | B♭ Major | 3 | 6B | 92 BPM | ||
| Es Pecado Mentir | François Gilbert | D Major | 3 | 10B | 128 BPM | ||
| Too Young | Ricardo Juarez | C Major | 4 | 8B | 81 BPM | ||
| Mañana, mañana - Tomorrow, manyana | Waldo De Los Ríos | F Major | 4 | 7B | 120 BPM | ||
| Como Han Pasado los Años | Chamin Correa | C Major | 6 | 8B | 90 BPM | ||
| Wheels | Billy Vaughn y su Orquesta | D Major | 5 | 10B | 123 BPM | ||
| La Vida en Rosa | Melodías Mágicas | G Major | 5 | 9B | 111 BPM | ||
| Wonderful Copenhagen | Helmut Zacharias | C Major | 4 | 8B | 81 BPM | ||
| Ruedas | Diego De Cossio | G Major | 4 | 9B | 121 BPM | ||
| Kiss Me Goodbye | Kai Warner | C Major | 4 | 8B | 108 BPM | ||
| Patricia | Pérez Prado | D♭ Major | 5 | 3B | 137 BPM | ||
| Bert Kaempfert Medley | Günter Noris | B♭ Major | 5 | 6B | 112 BPM | ||
| Los Recuerdos Están Hechos de Esto | Aldo Livorno Y Su Acordeón Napolitano | A Major | 3 | 11B | 133 BPM |