Tango Orkestret's ' "Lo Que Vendra" was released on its scheduled release date, January 1, 1995. This song is about six minutes long, preciously at 6:29, making this song fairly long compared to other songs. The track order of this song in Tango Orkestret's "Lo Que Vendra" album is number 1 out of 9. Based on our statistics, Lo Que Vendra's popularity is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Lo Que Vendra by Tango Orkestret to be Allegro (fast, quick, and bright) because the track has a tempo of 155 BPM, a half-time of 78BPM, and a double-time of 310 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, running, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| One Stolen Night | John Jorgenson Quintet | A Minor | 2 | 8A | 83 BPM | ||
| Chronos | Florian Dohrmann, David Orlowsky Trio | B♭ Minor | 0 | 3A | 135 BPM | ||
| St James Infirmary Blues | Les doigts de l'homme | D♭ Major | 2 | 3B | 125 BPM | ||
| Choro Ungaria | Tango Orkestret | C Minor | 3 | 5A | 94 BPM | ||
| Days Gone By | Moreno Viglione | G Minor | 3 | 6A | 66 BPM | ||
| Délivrance | Ivan Paduart, Quentin Dujardin | A Minor | 5 | 8A | 148 BPM | ||
| Je prendrai le métro | Renaud Garcia-Fons, David Venitucci, Stéphan Caracci | F Major | 6 | 7B | 87 BPM | ||
| Strolling in Paris | Paul Tuvman, Peter White | G Major | 6 | 9B | 80 BPM | ||
| Insomnia | Florian Dohrmann, David Orlowsky Trio | B Minor | 1 | 10A | 135 BPM | ||
| Duxter: The Billed Butcher of Innsbeak (Boss Fight) | Daniel Whitworth | C Major | 4 | 8B | 111 BPM | ||
| Manureva | Ludovic Beier | E Minor | 5 | 9A | 132 BPM | ||
| Bøverdalen | RAS | A♭ Major | 6 | 4B | 133 BPM | ||
| In C | Jean-Louis Matinier, Kevin Seddiki | F Minor | 1 | 4A | 158 BPM | ||
| Au lait | Airelle Besson, Lionel Suarez | C Major | 4 | 8B | 111 BPM | ||
| Pour Charles | Eric Vloeimans, Jörg Brinkmann | A Minor | 2 | 8A | 111 BPM | ||
| Escualo | Gidon Kremer | F♯ Minor | 2 | 11A | 202 BPM | ||
| Concerto For Violin And Percussion: Prague | Prague Chamber Orchestra, Andre Arpino, Jean-Pierre Wallez | D Minor | 1 | 7A | 95 BPM | ||
| Ras-fare | RAS | A♭ Major | 6 | 4B | 133 BPM | ||
| Feuilles sur le Parquet | Quintette du Hot Club de France, Dorado Schmitt, Ensemble de Jazz Manouche | F♯ Major | 5 | 2B | 112 BPM | ||
| Charlie | Stéphane Tsapis | F Major | 2 | 7B | 177 BPM | ||
| Dizzy Fingers (Arr. for Voice, Piano, Guitar, Bass, Drums, Clarinet and Violin by R. Mounsey) | Zez Confrey, Zachary Wilder, Rob Mounsey, Matt Beck, David Finck, Mark McLean, Lawrence Feldman, Antoine Silverman | C Major | 4 | 8B | 111 BPM | ||
| 仲間とのひととき | Nobuyuki Nakajima | G Major | 1 | 9B | 124 BPM | ||
| Valse Pour Louise | Schneeberger & Bakanic Quartett | E Minor | 4 | 9A | 204 BPM | ||
| Wanted | The Lodger | C Major | 4 | 8B | 111 BPM | ||
| Il camino, Pt. 2 | Aldo Romano | E Major | 1 | 12B | 124 BPM |