Philip Glass, English Chamber Orchestra, Michael Riesman, Harry Rabinowitz's 'The Secret Agent: Secret Agent Ending' had a release date set for September 1, 2009. The duration of This song is about 3 minutes long, at 3:08. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 16 in the song's album "The Philip Glass Recording Archive, Vol. V - The Secret Agent". In this album, this song's track order is #16. Furthermore, we believe that the track originated from United States. In terms of popularity, The Secret Agent: Secret Agent Ending is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Secret Agent: Secret Agent Ending by Philip Glass, English Chamber Orchestra, Michael Riesman, Harry Rabinowitz having a BPM of 97 with a half-time of 48 BPM and a double-time of 194 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Manchester Minimalist Piano and Strings | Lesley Barber | E♭ Major | 0 | 5B | 147 BPM | ||
| Halcyon Hill | Rachel Grimes | G Minor | 2 | 6A | 132 BPM | ||
| Because This Must Be | Nils Frahm | C Minor | 1 | 5A | 133 BPM | ||
| O Virtus Sapiente | Hildegard von Bingen, Kronos Quartet | E Major | 0 | 12B | 57 BPM | ||
| Plan & Elevation: III. The Herbaceous Border | Caroline Shaw, Attacca Quartet | E Minor | 2 | 9A | 112 BPM | ||
| Arise | Isobel Waller-Bridge | G Minor | 4 | 6A | 100 BPM | ||
| Choosing Life | Philip Glass | B♭ Major | 0 | 6B | 88 BPM | ||
| I. Sequence (Four) | Peter Gregson, Warren Zielinski, Magdalena Filipczak, Meghan Cassidy, Richard Harwood | D Minor | 3 | 7A | 137 BPM | ||
| Etude No.6 | Simone Dinnerstein, Philip Glass, Franz Schubert | F Minor | 2 | 4A | 99 BPM | ||
| The Evergreen: IV. Root | Caroline Shaw, Attacca Quartet | B♭ Major | 1 | 6B | 171 BPM | ||
| Gogol | Chilly Gonzales | G Minor | 0 | 6A | 152 BPM | ||
| When Our Wings Are Cut, Can We Still Fly? | Kronos Quartet | A Minor | 2 | 8A | 154 BPM | ||
| Ashes | Hilary Hahn, Hauschka | D♭ Minor | 1 | 12A | 128 BPM | ||
| Glassworks: III. Islands | Signal, Michael Riesman | B♭ Minor | 2 | 3A | 84 BPM | ||
| Metamorphosis II | Philip Glass, Nicolas Horvath | A Minor | 0 | 8A | 72 BPM | ||
| Pulsars, Pt. 2: Episode 5 | Tomasz Trzcinski | E Major | 1 | 12B | 107 BPM | ||
| Music for 18 Musicians: Section I | Steve Reich | D Major | 3 | 10B | 102 BPM | ||
| Eights | Rachel Grimes | C Major | 2 | 8B | 104 BPM | ||
| Imperial Dreams Don't Die | Fiona Ubong | E♭ Minor | 2 | 2A | 151 BPM | ||
| Floating / Sinking | Peter Broderick | A Minor | 1 | 8A | 89 BPM | ||
| Water Theme No.3 | Hanan Townshend | D Minor | 1 | 7A | 131 BPM | ||
| Tales from the Loop | Philip Glass, Paul Leonard-Morgan | B Minor | 1 | 10A | 150 BPM | ||
| Midwayer | Joep Beving | C Major | 1 | 8B | 135 BPM | ||
| Drifting Circles | Anne Müller | G Major | 3 | 9B | 138 BPM | ||
| Gnossiennes: No. 3 - Lent | Erik Satie, Reinbert de Leeuw | A Minor | 0 | 8A | 84 BPM |